Lizzie Borden
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- ¥750
発行者による作品情報
Did she do it?
A hundred years ago, it was the Trial of the Century. A young woman stood accused of brutally murdering her father and stepmother in a crime so heinous that it became a benchmark in human tragedy.
A hundred years later, the Lizzie Borden case still resounds in the imagination. There are those who staunchly defend Lizzie’s innocence while others behemently decleare that she did it, and that the murder was justified.
In Elizabeth Engstrom’s brilliant novel, the dark psychology of the Borden household is laid bare. Lizzie, her sister Emma and their parents Andrew and Abby Borden, are sharply illuminated—as are the paranoia and concealed hatred that secretly ruled the family. Domestic violence and dysfunctional families are not inventions of modern times.
“Every door in the Borden house is metaphorically locked, and each room olds the terrible secrets of its occupant…Engstrom skillfully and subtly builds a psychological plot, moving the reader inexorably toward the anticipated savage denouement.” —Publishers Weekly
PUBLISHERS WEEKLY
In Engstrom's fictional treatment of the famous Lizzie Borden murder case of 1892--in which Lizzie allegedly kills both her parents but is acquitted--every door in the Borden house in Fall River, Mass., is metaphorically locked, and each room holds the terrible secrets of its occupant. Emma, Lizzie's older sister, wracked by uncontrollable rages, periodically flees to New Bedford to assuage her surreptitious appetites for sex, drink and violence. Paterfamilias Andrew Borden, tyrannical and penurious in equal measure, loves nothing but money (which he hoards obsessively), concealing his sinful thoughts and acts from his obese second wife, Abby. Lizzie appears to be a serene young woman, but only because, in the author's view, she has repressed another self--angry and long denied, it burns to emerge. At first Engstrom ( Black Ambrosia ) skillfully and subtly builds a psychological plot, moving the reader inexorably toward the anticipated savage denouement. But the very same restraint and innuendo used to good effect in the novel's early portions ill serve the final bloodbath, which approaches anticlimax. Engstrom's supernatural solution to a crime so inimitably real is a cop-out.
