Lone Star Nation
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- ¥2,000
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- ¥2,000
発行者による作品情報
The two-time Pulitzer Prize finalist, bestselling historian, and author of Our First Civil War emythologizes Texas’s journey to statehood and restores the genuinely heroic spirit to a pivotal chapter in American history. • “A balanced, unromanticized account [of] America’s great epic.” —The New York Times Book Review
From Stephen Austin, Texas’s reluctant founder, to the alcoholic Sam Houston, who came to lead the Texas army in its hour of crisis and glory, to President Andrew Jackson, whose expansionist aspirations loomed large in the background, here is the story of Texas and the outsize figures who shaped its turbulent history. Beginning with its early colonization in the 1820s and taking in the shocking massacres of Texas loyalists at the Alamo and Goliad, its rough-and-tumble years as a land overrun by the Comanches, and its day of liberation as an upstart republic, Brands’ lively history draws on contemporary accounts, diaries, and letters to animate a diverse cast of characters whose adventures, exploits, and ambitions live on in the very fabric of our nation.
PUBLISHERS WEEKLY
Nicely told as it is, this story could have been written 50 years ago. What's frustrating in this telling is that none of the advances in perspective that would make the work attractive to a general and mixed audience today are to be found in it. Brands's book is macho, tub-thumping, narrative Texas history at its old-fashioned best. But that's no longer good enough. Published at the same time, William C. Davis's Lone Star Rising (Forecasts, Nov. 3) has ideas, argument and a point of view. It keeps Mexicans, Mexican-Texans and Anglo-Texans front and center. Brands (The First American, The Age of Gold), on the other hand, lets chronicle substitute for history and breathlessness for style. The tale of the hard-won struggle for Texan independence from Mexico has inherent dramatic power. In addition to Stephen Austin and Sam Houston, other actors, like William Travis, Jim Bowie and Noah Smithwick, some little known, could excite any movie producer. It's hard to think that the story could be better told but what's lacking is a theme or perspective, some new way, like Davis's, to relate the story. And was "the victory of Texans the victory for America" when the spread of slavery was one of its consequences? This anachronistic work may prove popular in the Lone Star State. Davis's better work, however, is where the larger, more pertinent history lies.
