Long Gone
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- ¥580
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- ¥580
発行者による作品情報
Compulsively readable and masterfully plotted, Long Gone does not disappoint.
The nightmare is only just beginning…
After months of unemployment, Alice Humphrey lands her dream job – managing a Manhattan art gallery in the trendy Meatpacking District. According to recruiter Drew Campbell, the gallery is a passion of its anonymous owner, who remains uninvolved in its daily operations.
But she arrives one morning and walks into a nightmare: the space is empty except for the dead body of Drew Campbell. Alice soon finds herself at the centre of the police investigation.
When every thread of the investigation leads back to her, Alice knows she has been set up. But who is out to get her?
Reviews
Michael Connelly: ‘this is smart, hip and always keeps you guessing. This is Alafair Burke's break out book. It's going to be big.’
Dennis Lehane: ‘Alafair Burke is one of the finest young crime writers working today’.
Harlan Coben: ‘The plot of an Alafair Burke thriller doesn’t just rip from the headlines. She’s one step ahead of them.’
Lisa Unger: This is a red-hot firecracker of a thriller with all the right stuff—perfect pacing, plotting, and suspense.’
About the author
A former deputy district attorney, Alafair Burke now teaches criminal law at Hofstra Law School and lives in New York City. Alafair is the daughter of the acclaimed crime writer James Lee Burke.
PUBLISHERS WEEKLY
Near the outset of this impressive novel of suspense from Burke (212), her first stand-alone, 37-year-old Alice Humphrey, the daughter of controversial film director Frank Humphrey, meets charming Drew Campbell at a sparsely attended Manhattan art opening; he asks if she would like to manage the fledgling Highline Gallery. While the job appears too good to be true, Alice, who's been unemployed for eight months, accepts the offer. All goes well until Alice finds Drew dead in the gallery a few weeks later. The police regard Alice as the prime suspect in the murder of "Drew Campbell," who was not the man he claimed to be. Evidence against her includes paperwork supposedly showing that she leased the gallery space. Feeling trapped, Alice wonders if she's being set up and if it has anything to do with her famous father. Alice must dig deep into her family's checkered history if she's to prove her innocence. Burke skillfully orchestrates the mounting tension and claustrophobia of Alice's world collapsing in on itself.
