Lou Reed
The King of New York
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- ¥1,500
発行者による作品情報
“The only Lou Reed bio you need to read.” —The Washington Post
A Rolling Stone best music book of 2023 | One of Pitchfork’s ten best music books of 2023 | A Variety best music book of the year | A Kirkus Reviews best nonfiction book of 2023
“There have been many biographies of Lou Reed, but Will Hermes has written the definitive life . . . He has brought to the assignment a sharp eye, a clear head, a lucid prose style, and a determination to let Lou be Lou, without judgment.” —Lucy Sante, author of Low Life
The most complete and penetrating biography of the rock master, whose stature grows every year.
Since his death in 2013, Lou Reed’s living presence has only grown. The great rock poet presided over the marriage of Brill Building pop and the European avant-garde, and left American culture transfigured. In Lou Reed: The King of New York, Will Hermes offers the definitive narrative of Reed’s life and legacy, dramatizing his long, brilliant, and contentious dialogue with fans, critics, fellow artists, and assorted habitués of the demimonde. We witness Reed’s complex partnerships with David Bowie, Andy Warhol, John Cale, and Laurie Anderson; track the deadpan wit, street-smart edge, and poetic flights that defined his craft as a singer and songwriter with the Velvet Underground and beyond; and explore the artistic ambition and gift for self-sabotage that he took from his mentor the poet Delmore Schwartz.
As Hermes follows Reed from Lower East Side cold-water flats to the eminent status he later achieved, he also tells the story of New York City as a cultural capital. The first biographer to draw on the New York Public Library’s much-publicized Reed archive, Hermes employs the library collections, the release of previously unheard recordings, and a wealth of recent interviews with Reed’s contemporaries to give us a new Lou Reed—a pioneer in writing about nonbinary sexuality and gender identity, a committed artist who pursued beauty and noise with equal fervor, and a turbulent and sometimes truculent man whose emotional imprint endures.
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In this magisterial account, Rolling Stone senior critic Hermes (Love Goes to Buildings on Fire) delves into the mind and music of the Velvet Underground's front man. Growing up on Long Island in the 1940s and '50s, Reed "fell in love with rock 'n' roll and New York City doo-wop" early on (he recorded his first single in the latter style in high school). After graduating from college, Reed joined with John Cale, Sterling Morrison, and Angus MacLise to form the Velvet Underground in 1965. He left five years later to start a solo career. Though the band skirted fame in its brief run, it exerted outsize influence on punk and "alternative/college rock" of the 1980s, according to Hermes, who puts Reed's legacy as both a rocker and lyricist front and center. Contending that his jubject's "guiding-light idea" was to "take rock 'n' roll, the pop format, and make it for adults," Hermes notes that even Reed's early songs dealt with "buying and using drugs, the psychology of addiction... intimate-partner violence, BDSM relationships" at a time when discussing such topics in music was rare. Throughout, Hermes weaves in small, resonant details that make achingly plain the fragile, complicated psyche beneath Reed's too-cool persona. At one point, a friend recalls seeing Reed after he underwent electroconvulsive therapy at 18, possibly as a treatment for depression: "He seemed the same... a little more shaky than usual. And he had a little quiver in his voice sometimes." This stands as the definitive biography of one of rock's most enigmatic personalities.
