Mad, Bad & Dangerous to Know
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- ¥1,500
発行者による作品情報
Discover New York Times bestseller Samira Ahmed’s romantic, sweeping adventure through the streets of Paris told in alternating narratives that bridge centuries, continents, and the lives of two young Muslim women fighting to write their own stories.
Smash the patriarchy. Eat all the pastries.
It’s August in Paris and 17-year-old Khayyam Maquet—American, French, Indian, Muslim—is at a crossroads. This holiday with her parents should be a dream trip for the budding art historian. But her maybe-ex-boyfriend is ghosting her, she might have just blown her chance at getting into her dream college, and now all she really wants is to be back home in Chicago figuring out her messy life instead of brooding in the City of Light.
Two hundred years before Khayyam’s summer of discontent, Leila is struggling to survive and keep her true love hidden from the Pasha who has “gifted” her with favored status in his harem. In the present day—and with the company of Alex, a très charmant teen descendant of Alexandre Dumas—Khayyam searches for a rumored lost painting, uncovering a connection between Leila and Alexandre Dumas, Eugène Delacroix, and Lord Byron that may have been erased from history.
Echoing across centuries, Leila and Khayyam’s lives intertwine, and as one woman’s long-forgotten life is uncovered, another’s is transformed.
PUBLISHERS WEEKLY
When 17-year-old Khayyam Maquet (named after Persian poet Omar Khayyam) and university student Alexandre Dumas (named after the French writer, his ancestor), meet by apparent coincidence in Paris one August day, they discover they share a common goal: finding a connection between the 19th-century Dumas and painter Eug ne Delacroix. Visiting from Chicago, Khayyam, who is French, Indian, American, and Muslim, wants to jump-start her future as an art historian; Alexandre declares that he wants to preserve his family's legacy. Short, interspersed sections told by 19th-century Leila, the "enslaved harem girl" whom Khayyam believes the original Dumas loved, and who may have inspired both a poem by Byron and a painting by Delacroix, build a suspenseful secondary story line. The book's premise is promising, the Parisian setting enticing, and the dialogue sharply paced. In both scholarship and romance, Khayyam is consistently if somewhat overtly cued: she's focused on her professional future, her anger at the way women's stories are elided, and her drive to right that wrong. While the plot development can be hard to follow, punctuated by Khayyam's confusion about a love interest at home and her feelings for Alexandre, Ahmed's (Internment) story succeeds in exploring historical themes of prejudice and who tells whose stories while offering a multi-faceted blend of contemporary and historical intrigue. Ages 14 up.
