Mantrapped
A Novel
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- ¥1,000
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- ¥1,000
発行者による作品情報
The Booker Prize nominee's quirky novel about a man and woman trading bodies, supplemented with her personal commentary: "Tremendously fun to read."—Booklist
Described as a "reality novel," Mantrapped reveals, in alternating chapters, personal reflections and observations of the acclaimed author Fay Weldon and the fictional story of a broke, fortysomething woman who brushes past a handsome male newspaper editor—and in that moment, mysteriously switches souls with him.
A follow-up to Weldon's autobiographical Auto da Fay, this creative concoction reminds us why the author of The Life and Loves of a She-Devil and dozens of other works is so renowned for her "piercing, insightful, razor-like wit" (The Washington Post), especially when it comes to the battle of the sexes.
"She's just so good…Weldon's extraordinary wit and insight ricochet through these pages."—The Baltimore Sun
"If you can just keep up with Weldon's madcap journey, Mantrapped is more than worth the trip."—O, the Oprah Magazine
PUBLISHERS WEEKLY
A starred review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred review.MANTRAPPEDFay Weldon. Grove, $24 (320p) After many novels, screenplays, essays and an acclaimed memoir, Auto da Fay, Weldon now adds "reality novel" to her repertoire. Presented as a continuation of Auto da Fay, the book is a curious hybrid: something Weldon calls "novel and autobiography side by side, leaping from one to the other, but related." Its fictional protagonist is 44-year-old Trisha, who won the lottery, spent her fortune and is now relegated to niggling London poverty. Things take a turn for the worse when her soul exchanges bodies with that of young, handsome Peter. Now Doralee, Peter's life partner, is left to sort out an impossible situation, bemoaning the fact that there's no support group "for the transfer of your partner's being into someone else's shoddy, badly-looked-after body." These episodes are vintage Weldon: satirical, hyper-realistic and punctuated by biting truths. The autobiographical sections, interleaved with Trisha's story, are occasionally retreads of material from the previous volume, but mostly recount Weldon's further adventures as she juggles family and career. Weldon reveals the reality of her life behind her fiction, proving that "nearly everything you write about, you realize one day, has its roots somewhere in the past." Consider this the ultimate version of life and art imitating one another.
