Matisse the Master

PUBLISHERS WEEKLY 2005年5月9日

The first volume of Spurling's magisterial biography, The Unknown Matisse, covered his evolution into a painter. This second volume opens with his adjusting to the status albeit controversial of master. At 40, Matisse found himself with both the freedom to paint and the burden of a reputation that drew enemies, disciples and skeptics into his working life. This shift from obscurity to notoriety had less impact on Matisse's work than on his personal relationships, especially his marriage to the single-minded Am lie, a bond that became saturated, for better and worse, with his achievements. Matisse's other relationships with his daughter, Marguerite, his son, Pierre, his model and factotum Lydia Dylectorskaya and his patron Etta Cone among others were likewise compounded of dedication and turmoil. The work, meanwhile, took its own course, whether mutating through a single epic piece or proliferating in new media, through two world wars and an absolute transformation in the tenets of and expectations for art. Spurling's chief source is a huge but largely untapped collection of correspondence, on which she draws very deftly to convey the mood and tone of various sojourns in Paris, Nice, Tangiers, Tahiti and elsewhere. In addition to 24 pages of color plates, the book is peppered with b&w photographs, portraits and sketches. Spurling's rich, flexible style is well attuned to the rigors and flights of Matisse's creative life.