Mill Town
Reckoning with What Remains
-
- ¥1,500
発行者による作品情報
Winner of the 2021 Rachel Carson Environmental Book Award
Winner of the 2021 Maine Literary Award for Nonfiction
Finalist for the 2020 National Book Critics John Leonard Prize for Best First Book
Finalist for the 2021 New England Society Book Award
Finalist for the 2021 New England Independent Booksellers Association Award
A New York Times Editors’ Choice and Chicago Tribune top book for 2020
“Mill Town is the book of a lifetime; a deep-drilling, quick-moving, heartbreaking story. Scathing and tender, it lifts often into poetry, but comes down hard when it must. Through it all runs the river: sluggish, ancient, dangerous, freighted with America’s sins.” —Robert Macfarlane, author of Underland
Kerri Arsenault grew up in the small, rural town of Mexico, Maine, where for over 100 years the community orbited around a paper mill that provided jobs for nearly everyone in town, including three generations of her family. Kerri had a happy childhood, but years after she moved away, she realized the price she paid for that childhood. The price everyone paid. The mill, while providing the social and economic cohesion for the community, also contributed to its demise.
Mill Town is a book of narrative nonfiction, investigative memoir, and cultural criticism that illuminates the rise and collapse of the working-class, the hazards of loving and leaving home, and the ambiguous nature of toxics and disease with the central question; Who or what are we willing to sacrifice for our own survival?
PUBLISHERS WEEKLY
In this powerful investigative memoir, book critic Arsenault examines her relationship with Mexico, Maine, her now-downtrodden hometown. In 2009, Arsenault returned there from Connecticut after her grandfather died; while in this town (pop. 2,600) that owes its existence to a nearby 118-year-old paper mill, she decided to resume research on the Arsenault family's French-Canadian lineage. She quickly learns of the environmental havoc wrought by the mill, which earned Mexico the nickname of "Cancer Alley," and uncovers the many obituaries citing people who "died after a battle with cancer" believed to be caused by ash emitted by the mill (dubbed "mill snow") that also crept into her family's home. From there, Arsenault embarks on a decade-long probe into the environmental abuses of a company that supported her family for three generations. "The legacies powerful men construct almost always emerge from the debris of other people's lives," she writes, yet her inquiry only deepened her bond with Mexico ("We can and probably should go back to confront what made us leave, what made us fall in and out of love with the places that create us, or to see what we left behind"). Arsenault paints a soul-crushing portrait of a place that's suffered "the smell of death and suffering" almost since its creation. This moving and insightful memoir reminds readers that returning home "the heart of human identity" is capable of causing great joy and profound disappointment.
