More Happy Than Not
The much-loved hit from the author of No.1 bestselling blockbuster THEY BOTH DIE AT THE END!
-
- ¥850
-
- ¥850
発行者による作品情報
From the author of the INTERNATIONAL NO.1 BESTSELLER THEY BOTH DIE AT THE END. In his twisty, gritty, profoundly moving New York Times bestselling-debut, Adam Silvera brings to life a charged, dangerous near-future summer in the Bronx.
Please note that covers may vary.
Life hasn’t been easy for sixteen‑year‑old Aaron Soto, but with the help of his girlfriend, Genevieve, he’s slowly remembering what happiness might feel like. Then Thomas shows up . . . Thomas is smart and funny, and before long Aaron is spending all his time with him. But as Aaron’s feelings for Thomas intensify, tensions with his other friends start to build. Soon Aaron is faced with a choice – one that will make him question what it is he wants, and how far he’ll go to get it.
PRAISE FOR MORE HAPPY THAN NOT:
'Silvera managed to leave me smiling after totally breaking my heart. Unforgettable.' Becky Albertalli, author of Simon vs. The Homo Sapiens Agenda
'Gut-wrenching' Guardian
'Mandatory reading' New York Times
PUBLISHERS WEEKLY
Aaron Soto, 16, lives in the projects in a Bronx similar to the real one except for the existence of the Leteo Institute, a neighborhood facility where patients can have painful memories erased (the most fantastical element of this procedure perhaps being that it is covered by Aaron's insurance). If anyone deserves to have his past wiped clean, it's Aaron, who has experienced poverty, his father's suicide, and the violent death of friends in his short life. But what Aaron wants most to forget is that he's gay, especially because the boy he loves is no longer able to be with him, and because his own inability to fly under the radar has made him a target. Silvera's debut is vividly written and intricately plotted: a well-executed twist will cause readers to reassess what they thought they knew about Aaron's life. It's also beyond gritty parts of it are actually hard to read. Silvera pulls no punches in this portrait of a boy struggling with who he is in the face of immense cultural and societal pressure to be somebody else. Ages 14 up.
