Moscow Noir
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- ¥1,600
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- ¥1,600
発行者による作品情報
"Authors whose dark take on humanity would be familiar to the likes of Cornell Woolrich and Jim Thompson. Story after story offers haunting images." —Publishers Weekly, starred review
The more you watch Moscow, the more it looks like a huge chameleon that keeps changing its face—and it isn't always pretty. Following Akashic Books' international success with London Noir, Delhi Noir, Paris Noir, and others, the Noir series explores this fabled and troubled city's darkest recesses.
Moscow Noir features stories by: Alexander Anuchkin, Igor Zotov, Gleb Shulpyakov, Vladimir Tuchkov, Anna Starobinets, Vyacheslav Kuritsyn, Sergei Samsonov, Alexei Evdokimov, Ludmilla Petrushevskaya, Maxim Maximov, Irina Denezhkina, Dmitry Kosyrev, Andrei Khusnutdinov, and Sergei Kuznetsov.
"Sordid crimes, gangsters and other underworld characters, sometimes supernatural themes, and a hefty body count . . . The best stories in the collection have some reverberations of a hoary past on the everyday life of a neighborhood . . . It is hard to over-emphasize the power of the locations described in some of these stories." —MostlyFiction Book Reviews
"This anthology is an attempt to turn the tourist Moscow of gingerbread and woodcuts, of glitz and big money, inside out." —Bookslut
"I am particularly struck by how it is the shortest stories here that seem the most fresh, bold and interesting. There we see often impressionistic touches in the prose or plotting and some really impressive exploration of theme. In particular, I would recommend 'In the New Development' and 'The Point of No Return' as highlights." —Mysteries Ahoy!
PUBLISHERS WEEKLY
As literary agents Smirnova and Goumen note in their introduction to this excellent entry in Akashic's noir series, A noir tradition does not yet really exist in Russia. Still, they have managed to find 14 authors whose dark take on humanity would be familiar to the likes of Cornell Woolrich and Jim Thompson. Story after story offers haunting images: a husband interrupts his bludgeoning murder of his wife to sing their daughter back to sleep (Ludmilla Petrushevskaya's In the New Development ); a cop eats an apple that fell from the shaven head of a drunken deputy chief detective just shot to death, who'd been playing William Tell (Alexander Anuchkin's Field of a Thousand Corpses ). In Anna Starobinets's The Mercy Bus, a taut tale with a wicked bite, a con man poses as one of Moscow's walking wounded to make his getaway from a charity ball he engineered in order to rip off its patrons. This volume's strength bodes well for a second anthology from these able editors showcasing Russian talents.
