My Sister, the Serial Killer
A Novel
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4.0 • 1件の評価
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- ¥2,000
発行者による作品情報
ONE OF TIME MAGAZINE'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • BOOKER PRIZE NOMINEE • “A taut and darkly funny contemporary noir that moves at lightning speed, it’s the wittiest and most fun murder party you’ve ever been invited to.” —MARIE CLAIRE
Korede’s sister Ayoola is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead, stabbed through the heart with Ayoola’s knife.
Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood (bleach, bleach, and more bleach), the best way to move a body (wrap it in sheets like a mummy), and she keeps Ayoola from posting pictures to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit.
Korede has long been in love with a kind, handsome doctor at the hospital where she works. She dreams of the day when he will realize that she’s exactly what he needs. But when he asks Korede for Ayoola’s phone number, she must reckon with what her sister has become and how far she’s willing to go to protect her.
PUBLISHERS WEEKLY
Braithwaite's blazing debut is as sharp as the knife that twists in the chest of Femi, the now-dead boyfriend of Ayoola, whose boyfriends, curiously, seem to keep winding up dead in her presence. Femi makes dead boyfriend number three each were killed in self-defense, according to Ayoola and, per usual, Ayoola's older sister, Korede, is called upon to help dispose of the body. The only confidante Korede has is a coma patient at the Lagos hospital where she works, which is the only place she can go to escape Ayoola. It is also where she can see the man she loves, a handsome and thoughtful doctor named Tade. Of course, this means that when the capricious Ayoola decides to start visiting her sister at work, she takes notice of him, and him of her. This is the last straw for Korede, who realizes she is both the only person who understands how dangerous her sister is and the only person who can intervene before her beloved Tade gets hurt, or worse. Interwoven with Korede, Ayoola, and Tade's love triangle is the story of Korede and Ayoola's upbringing, which is shadowed by the memory of their father, a cruel man who met a tragic and accidental death or did he? As Korede notes when she considers her own culpability in her sister's temperament: "His blood is my blood and my blood is hers." The reveal at the end isn't so much a "gotcha" moment as the dawning of an inevitable, creeping feeling that Braithwaite expertly crafts over the course of the novel. This is both bitingly funny and brilliantly executed, with not a single word out of place.
