My Wars Are Laid Away in Books
The Life of Emily Dickinson
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- ¥1,400
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- ¥1,400
発行者による作品情報
Emily Dickinson, probably the most loved and certainly the greatest of American poets, continues to be seen as the most elusive. One reason she has become a timeless icon of mystery for many readers is that her developmental phases have not been clarified. In this exhaustively researched biography, Alfred Habegger presents the first thorough account of Dickinson’s growth–a richly contextualized story of genius in the process of formation and then in the act of overwhelming production.
Building on the work of former and contemporary scholars, My Wars Are Laid Away in Books brings to light a wide range of new material from legal archives, congregational records, contemporary women's writing, and previously unpublished fragments of Dickinson’s own letters. Habegger discovers the best available answers to the pressing questions about the poet: Was she lesbian? Who was the person she evidently loved? Why did she refuse to publish and why was this refusal so integral an aspect of her work? Habegger also illuminates many of the essential connection sin Dickinson’s story: between the decay of doctrinal Protestantism and the emergence of her riddling lyric vision; between her father’s political isolation after the Whig Party’s collapse and her private poetic vocation; between her frustrated quest for human intimacy and the tuning of her uniquely seductive voice.
The definitive treatment of Dickinson’s life and times, and of her poetic development, My Wars Are Laid Away in Books shows how she could be both a woman of her era and a timeless creator. Although many aspects of her life and work will always elude scrutiny, her living, changing profile at least comes into focus in this meticulous and magisterial biography.
PUBLISHERS WEEKLY
Making perceptive use of feminist scholarship of the past three decades, the firsthand reports of Dickinson's intimates and careful readings of her lyrics and letters, former University of Kansas English professor Habegger creates a newly complex portrait of the poet's life (1830-86) and greatly enhances our understanding of her art. As in The Father: A Life of Henry James, Sr., Habegger analyzes his subject's experiences from a modern perspective without obscuring the very different ways in which she herself perceived them. His greatest achievement is a nuanced depiction of how Dickinson transformed the limits placed on her into choices that enabled her poetry. Kept close to home in Amherst, Mass., by her authoritarian father, she chose to become a recluse and avoid altogether the social duties laid on middle-class women. Painfully rejected more than once as a young woman because of her extreme emotional neediness, she assumed a "childish" air that allowed her far more freedom of expression than that accorded New England's adults. "The blessing and the wound became one and the same," writes Habegger. "What that seems to mean for us is that her great genius is not to be distinguished from her madness." Habegger also gives full attention to the impact of the religious revival that swept New England in Dickinson's youth, reminding us of how tough young Emily had to resist intense pressure to declare herself "saved." Habegger rejects the traditional view that Dickinson's work and life were static; "her poetry shows a striking and dramatic evolution," he declares, and his immensely satisfying narrative makes the largely interior struggles she conducted over the course of 55 years just as dramatic. This is as good as literary biography gets. (On sale Oct. 2)
