My Work
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- ¥1,200
発行者による作品情報
Winner of the 2020 Politiken Literature Prize
From the acclaimed author of the International Booker Prize–shortlisted literary sensation, The Employees, comes a radical, funny, and mercilessly honest novel about motherhood.
Anna is utterly lost. Still in shock after the birth of her son, she moves to snowbound Stockholm with her newborn and boyfriend, where a chasm soon opens between the couple. Lonely and isolated, Anna reads too many internet articles and shops for clothes she cannot afford. To avoid sinking deeper into her depression, she must read and write herself back into her proper place in the world.
My Work is a fervent, intimate, and compulsive examination of the relationship between motherhood, writing, and everyday life. In a mesmerizing, propulsive blend of prose, poetry, journal entries, and letters, Olga Ravn probes the pain, postpartum depression, housework, shopping, mundanity, and anxiety of motherhood, all the while celebrating the unbounded that comes from the love in a parent and child relationship—and rediscovering oneself through art.
PUBLISHERS WEEKLY
Ravn (The Employees) combines autofiction, criticism, and poetry for a remarkable experimental narrative that probes the dark side of pregnancy, childhood, and new motherhood. In vignettes that serve as a framing device, a fictional Ravn recounts finding a pregnancy journal four years after her first child was born, along with other pages written postpartum that she doesn't remember having produced ("If it weren't for my handwriting, I might have assumed it was all written by a stranger"). Credit for these writings is assigned to Anna, an authorial double named after the protagonist of Doris Lessing's "The Golden Notebook." Anna devotes many passages to her anxiety, and she copes by reminding herself she has a way out with suicide. A new riff emerges on the classic doppelgänger trope of doubles in mortal combat, as Ravn imagines Anna stabbing her to death. It's an unsettling and visionary fictional enactment of Ravn's thinking, which is on glimmering display in chapters devoted to Charlotte Perkins Gilman's "The Yellow Wallpaper" and Mary Shelley's Frankenstein, where Ravn considers how a woman writer's creative output can be both dangerous and essential to her survival. This brilliant and unflinching work deserves to be a classic. Correction: An earlier version of this review misidentified the inspiration for the character Anna's name.
