Next to Love
A Novel
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- ¥1,100
発行者による作品情報
For fans of The Guernsey Literary and Potato Peel Society, The Postmistress, and Hotel on the Corner of Bitter and Sweet, a story of love, war, loss, and the scars they leave set during the years of World War II and its aftermath.
It’s 1941. Babe throws like a boy, thinks for herself, and never expects to escape the poor section of her quiet Massachusetts town. Then World War II breaks out, and everything changes. Her friend Grace, married to a reporter on the local paper, fears being left alone with her infant daughter when her husband ships out; Millie, the third member of their childhood trio, now weds the boy who always refused to settle down; and Babe wonders if she should marry Claude, who even as a child could never harm a living thing. As the war rages abroad, life on the home front undergoes its own battles and victories; and when the men return, and civilian life resumes, nothing can go back to quite the way it was.
From postwar traumas to women’s rights, racial injustice to anti-Semitism, Babe, Grace, and Millie experience the dislocations, the acute pains, and the exhilaration of a society in flux. Along the way, they will learn what it means to be a wife, a mother, a friend, a fighter, and a survivor. Beautiful, startling, and heartbreaking, Next to Love is a love letter to the brave women who shaped a nation’s destiny.
“Impossible to put down.” —Stacy Schiff
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PUBLISHERS WEEKLY
Feldman's latest (after Scottsboro) follows three female friends through WWII and into the '60s as lives, loves, and perceptions change both within and without. Bostonians Babe, Grace, and Millie don't want to lose the men they love to the looming war in Europe. So Grace and Millie marry their boyfriends before they ship out; Babe, on the other hand, follows Claude to his Southern Army base before he's due to join the fight in England, but is raped before reaching him. Grace and Millie's husbands die in battle, and Claude returns a changed man. The three old friends navigate life in a tumultuous era of social upheaval, holding to the belief that happiness lies in finding the right man. Babe, the quintessential girl from the wrong side of the tracks and a very sympathetic character, is determined to have life and love on her own terms. Grace and Millie, however, continue to hope for rescue and fail to learn from their mistakes. Feldman adopts multiple points of view and sticks to the awkward present tense, which instead of bringing immediacy pushes the reader away. A section of letters, though, is beautifully rendered, illuminating the characters and advancing the plot. Feldman's portrait of an era, and its women, is both well drawn and frustrating.
