No One Can Know
A Novel
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- ¥1,400
発行者による作品情報
The USA TODAY Bestseller! Three sisters, two murders, and too many secrets to count.
“A propulsive and intricate psychological thriller. . . Meticulously plotted. . . Family connections prove both their damage and their worth in this community-focused thriller.” —Kirkus (starred review)
Fourteen years ago, the Palmer sisters—Emma, Juliette, and Daphne—left their home in Arden Hills and never returned. But when Emma discovers she’s pregnant and her husband loses his job, she has no option but to return to the house that she and her estranged sisters still own . . . and where their parents were murdered.
Emma has never told anyone what she saw the night her parents died, even when she became the prime suspect. But her presence in the house threatens to uncover secrets that have stayed hidden for years, and the sisters are drawn together once again. As they face their memories of the past, rivalries restart, connections are forged, and, for the first time, Emma starts to ask questions about what really happened that night.
The more Emma learns, the more riddles emerge. And Emma begins to wonder just what her siblings will do to keep the past buried, and whether she did the right thing staying quiet about what was whispered that night: “No one can know.”
PUBLISHERS WEEKLY
Marshall's propulsive mystery-cum-psychological drama (after What Lies in the Woods) plunges readers into the precarious world of expectant mother Emma Palmer, whose husband, Nathan, has just lost his job. Faced with eviction, the couple returns (at Nathan's insistence) to Emma's childhood home of Arden Hills, which she has not visited since the murder of her parents 14 years earlier. No one was ever arrested for the crime, but many locals—including a police detective—believe Emma was responsible. Following the deaths, Emma and her younger sisters, Juliette and Daphne, were separated, with the two younger girls going into foster care. Emma's return stirs up old animosities, frightening memories, and a killer's instincts. When another murder occurs shortly after Emma arrives, the sisters reunite to finally address what really happened to their parents, sharing long-buried secrets in the process. Marshall shrewdly interlaces past and present timelines, alternating perspectives between the three sisters to shed new light on old information. Even genre veterans will have trouble sussing out the culprit. Skillful misdirection and urgent plotting make this a winner.
