Off Season
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- ¥1,500
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- ¥1,500
発行者による作品情報
A visceral story that you can see, taste, and feel.
How could this happen? The question of 2016 becomes deeply personal in James Sturm’s riveting graphic novel Off Season, which charts one couple’s divisive separation during Bernie Sanders’s loss to Hillary Clinton, Clinton’s loss to Donald Trump, and the disorienting months that followed.
We see a father navigating life as a single parent and coping with the disintegration of a life-defining relationship. Amid the upheaval lie tender moments with his kids—a sleeping child being carried in from the car, Christmas-morning anticipation, a late-night cookie after a temper tantrum—and fallible humans drenched in palpable feelings of grief, rage, loss, and overwhelming love. Using anthropomorphized characters as a tactic for tempering an otherwise emotionally fraught situation, Off Season is unaffected and raw, steeped in the specificity of its time while speaking to a larger cultural moment.
A truly human experience, Off Season displays Sturm’s masterful pacing and storytelling combined with conscious and confident growth as the celebrated cartoonist and educator moves away from historical fiction to deliver this long-form narrative set in contemporary times. Originally serialized on Slate, this expanded edition turns timely vignettes into a timeless, deeply affecting account of one family and their off season.
PUBLISHERS WEEKLY
The romantic underpinnings of this bleakly drawn and emotionally raw graphic novel from Sturm (The Golem's Mighty Swing) are buried under Yankee stoicism and the sniping crossfire and precisely drawn quotidian scenes of loss in a failing marriage. But these loosely linked chapters on the travails of a grumpy contractor feeling pressed on all sides cheating boss; angry, nearly divorced wife; tantrum-tossing children all host a kernel of longing. The dialogue is clipped and astute, threaded neatly into delicately steely art by Sturm, whose naturalism is so pronounced that it takes only a few pages to forget that he has drawn all the characters as dogs (albeit wearing clothes, driving cars, and walking on two legs). In between the contractor's bursts of frustrated rage ("I need to get back to work I don't have a trust fund"), nods to the dark tides of frustrated masculinity that swept through the 2016 election, and snarky sarcasm ("Bernie sticker on his Mercedes-Benz. A real man of the people"), Sturm slips in short, bright glimpses of grander possibilities. This finely wrought, politically agitated graphic fiction recalls Raymond Carver, and speaks almost too painfully to the personal strife in today's political climate.
