Old Flames
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- ¥1,600
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- ¥1,600
発行者による作品情報
Scotland Yard's Inspector Troy returns in a Cold War spy thriller hailed as "stylish, sophisticated, suspenseful . . . A fictional tour de force" (Patrick Anderson, The Washington Post).
In April 1956, at the height of the Cold War, Khrushchev and Bulganin, leaders of the Soviet Union, are in Britain on an official visit. Chief Inspector Troy of Scotland Yard is assigned to be Khrushchev's bodyguard and to spy on him. Soon after, a Royal Navy diver is found dead and mutilated beyond recognition in Portsmouth Harbor. Troy embarks on an investigation that takes him to the rotten heart of MI6, to the distant days of his childhood, and into the dangerous arms of an old flame.
"If Troy is the character at the heart of this novel, its soul is England as it was during the Cold War years, a country fueled by paranoia and espionage, overrun with agents and counter-agents, caught up, as Troy says, in 'an age that specialized in thinking the unthinkable.'" —Anne Stephenson, USA Today
PUBLISHERS WEEKLY
Third-timer Lawton (1963; Black Out) breathes new life into an increasingly creaky genre with this complex, evocative tale that's part Cold War thriller, part whodunit and part olde English lament. Reprising his role as a Russian aristoi cum Scotland Yard shamus, Freddie Troy returns from Black Out's wartime fog to the dreary 1956 London of Guy Burgess and Kim Philby, where the visiting Nikita Khrushchev is cheerfully threatening nuclear annihilation. Given his Russian background, Troy is roped into an official-escort-and-spy-while-you're-at-it routine. The Russian leader gets uncomfortably pally with Troy as they tour the city, giving him a secret code word for shadow correspondence; Troy is just beginning to feel relieved at Khrushchev's departure when the decomposed body of an English frogman who allegedly spied on Khrushchev's ship turns up. The pursuit of an insignificant spy killer leads Troy into a maze of double agents, money laundering and murder, not to mention possible corruption inside Scotland Yard and both MI5 and MI6. Along the way, the author cleverly uses his protagonist and a motley crew of secondaries to meditate on WWII nostalgia ("They remember all that was bad about it and go on celebrating it. And the good stuff... the way you class-conscious bastards pulled together... all that's forgotten. You used to know you were all in the same boat, now you don't even think you're on the same river") and the settling chill of the Cold War (" 'The Bomb' was 'THE BOMB'. Not HE or incendiary, not 500lb or ton, but megatons a word still virtually incomprehensible to most people, often paraphrased in multiples of Hiroshima: twenty Hiroshimas; fifty Hiroshimas"). Lawton has created an effective genre-bending novel that is at once a cerebral thriller and an uproarious, deliciously English spoof.
