Once Upon a Prime
The Wondrous Connections Between Mathematics and Literature
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- ¥1,400
発行者による作品情報
A New York Times Book Review Editors’ Choice
“Wide-ranging and thoroughly winning.” —Jordan Ellenberg, The New York Times Book Review
“An absolute joy to read!" —Steven Levitt, New York Times bestselling author of Freakonomics
For fans of Seven Brief Lessons in Physics, an exploration of the many ways mathematics can transform our understanding of literature and vice versa, by the first woman to hold England's oldest mathematical chair.
We often think of mathematics and literature as polar opposites. But what if, instead, they were fundamentally linked? In her clear, insightful, laugh-out-loud funny debut, Once Upon a Prime, Professor Sarah Hart shows us the myriad connections between math and literature, and how understanding those connections can enhance our enjoyment of both.
Did you know, for instance, that Moby-Dick is full of sophisticated geometry? That James Joyce’s stream-of-consciousness novels are deliberately checkered with mathematical references? That George Eliot was obsessed with statistics? That Jurassic Park is undergirded by fractal patterns? That Sir Arthur Conan Doyle and Chimamanda Ngozi Adichie wrote mathematician characters? From sonnets to fairytales to experimental French literature, Professor Hart shows how math and literature are complementary parts of the same quest, to understand human life and our place in the universe.
As the first woman to hold England’s oldest mathematical chair, Professor Hart is the ideal tour guide, taking us on an unforgettable journey through the books we thought we knew, revealing new layers of beauty and wonder. As she promises, you’re going to need a bigger bookcase.
PUBLISHERS WEEKLY
This spirited if inessential debut by Hart, a math professor at the University of London, surveys how math influences the structure, symbolism, and themes of literature. She posits that math and literature are linked in their common "quest" to "understand human life and our place in the universe," and analyzes how Chimamanda Ngozi Adichie, Kurt Vonnegut, and Oscar Wilde, among others, make use of mathematical concepts in their work. She explores in Moby-Dick the calculations behind Ishmael's observation that a soapstone released along the interior of a vat for rendering whale oil will take the same time to slide to the bottom regardless of the height it's released from. However, it's not clear how this relates to Hart's contention that the use of math by Melville's characters signifies vain efforts to control and "navigate the unknowable universe." Elsewhere, she notes that the patterns and rhythms of poetry are rooted in math, suggesting that the prime numbers in the haiku format (three lines of five and seven syllables) make the lines "separate indivisible entities." Such connections come across as amusing trivia, but Hart fares better when examining authors who deliberately looked to math for inspiration, such as the French experimentalists known as the Oulipo who in the 1960s sought to devise original literary forms from mathematical ideas. This won't change how readers see their favorite books, but there are some entertaining tidbits.
