Only Son
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- ¥850
発行者による作品情報
Every parent’s worst fear has become her reality…
SOME LIES
It only takes a minute for Amy McMurray to run from her car to the cash machine. That brief, unforgivable minute is enough time for her infant son to be snatched from the back seat and for Amy’s family, her marriage, and her peace of mind to be shattered beyond repair.
ARE TOO CLOSE
To everyone who meets him, Carl Jorgenson seems an exemplary single father. His son, Sam, is bright, considerate, and devoted to his dad. Only Carl knows about Sam’s real identity and about his own unthinkable crime.
TO BE SEEN
One careless slip, one chance meeting is all it will take for the devastating truth to be revealed. Sam is growing up, asking questions, increasingly suspicious that the life he believes in is a lie. But with that knowledge comes dread. Because when someone has risked everything to create a family, how far will they go to protect it?
“A fast-paced, powerful novel.” --Seattle Post Intelligencer
PUBLISHERS WEEKLY
Despite some awkward moments, O'Brien's compassionate approach to a rather pedestrian kidnapping story makes this first novel surprisingly engaging. Carl Jorgenson is a happily married young office worker living in Portland when his pregnant wife decides to get an abortion against his will. Angered by her decision, Carl moves out, and shortly thereafter kidnaps Eddie, an infant born to another struggling Portland couple, Paul and Amy McMurray. After spiriting the child off to Seattle, Jorgenson starts a new life as a single parent, renaming the baby "Sam" and sending brief postcards to his despondent parents to update them on their abducted child's progress. As Sam grows up, however, he begins to question the murkier aspects of his family background, and when Amy, after splitting up with Paul, moves to Seattle, it's only a matter of time before an "accidental" meeting between mother and son takes place. O'Brien frequently strains the bounds of credibility in his description of the gyrations Carl goes through to keep the baby after the kidnapping, and some of the first-person passages from the various narrators are mawkish and clumsy. But the final confrontation, in which Sam's true identity is revealed, is handled with grace and empathy, and the author's refusal to cast Carl as a villain represents an interesting spin on a plot that otherwise reads like a script for a TV movie.
