Persuasion
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- ¥100
発行者による作品情報
First published in 1818, Persuasion was Jane Austen’s last work. Its mellow character and autumnal tone have long made it a favorite with Austen readers. Set in Somersetshire and Bath, the novel revolves around the lives and love affair of Sir Walter Elliot, his daughters Elizabeth, Anne, and Mary, and various in-laws, friends, suitors, and other characters, In Anne Elliot, the author created perhaps her sweetest, most appealing heroine.
At the center of the novel is Anne’s thwarted romance with Captain Frederick Wentworth, a navy man Anne met and fell in love with when she was 19. At the time, Wentworth was deemed an unsuitable match and Anne was forced to break off the relationship. Eight years later, however, they meet again. By this time Captain Wentworth has made his fortune in the navy and is an attractive “catch.” However, Anne is now uncertain about his feelings for her. But after various twists and turns of fortune, the novel ends on a happy note.
In Persuasion, as in such novels as Sense and Sensibility, Pride and Prejudice, and Emma, Austen limned the plight of young women who could escape the constraints of family life only by marrying, and suggest the foolishness of women who believed they were free and not dependent on the financial and social resources of men. At the same time, Persuasion offers an ironic and subtle paean to the true love that enables one woman to rise above straitened economic circumstances and the stifling social conventions that restricted women to narrowly circumscribed lives in the common sitting room.
Sure to appeal to admirers of Jane Austen, Persuasion will delight any reader with its finely drawn characters, gentle satire, and charming re-creation of the genteel world of the 19th-century English countryside.
Anne Elliot must have been Jane Austen herself, speaking for the last time. There is something so true, so womanly about her, that it is impossible not to love her. She is the bright-eyed heroine of the earlier novels matured, chastened, cultivated, to whom fidelity has brought only greater depth and sweetness instead of bitterness and pain. —Anne Thackeray Ritchie
The wit of Jane Austen has for partner the perfection of her taste. —Virginia Woolf
PUBLISHERS WEEKLY
Stevenson has read all of Austen's novels for audiobook, in abridged or unabridged versions, and her experience shows in this delightful production. Though dominated by the intelligent, sweet voice of Anne Elliot the least favored but most worthy of three daughters in a family with an old name but declining fortunes Stevenson provides other characters with memorable voices as well. She reads Anne's haughty father's lines with a mixture of stuffiness and bluster, and Anne's sisters are portrayed with a hilariously flighty, breathy register that makes Austen's contempt for them palpable. Anne's voice is mostly measured and reasonable an expression of her strong mind and spirit but Stevenson imbues her speech with wonderful shades of passion as Anne is reacquainted with Capt. Wentworth, whom she has continued to love despite being forced, years before, to reject him over status issues. Listening to Stevenson, as Anne, describe a sudden encounter with Wentworth, one hardly needs Austen's description of how Anne grows faint Stevenson's perfectly judged and deeply felt reading has already shown that she must have. Even those who have read Austen's novels will find themselves loving this book all over again with Stevenson's evocative rendition ringing richly in their ears.
