![Pretty Is](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![Pretty Is](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
![](/assets/artwork/1x1-42817eea7ade52607a760cbee00d1495.gif)
Pretty Is
A Novel
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- ¥1,400
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- ¥1,400
Publisher Description
"[A] stunning, multilayered debut . . . . with a great deal of intelligent, beautifully written panache. . . . What a satisfying novel, with its shifting perspectives and competing stories and notion that our relationship to the truth changes with time and distance." -The New York Times
A fiercely imagined fiction debut in which two young women face what happened the summer they were twelve, when a handsome stranger abducted them
Everyone thought we were dead. We were missing for nearly two months; we were twelve. What else could they think? -Lois
It's always been hard to talk about what happened without sounding all melodramatic. . . . Actually, I haven't mentioned it for years, not to a goddamned person. -Carly May
The summer precocious Lois and pretty Carly May were twelve years old, they were kidnapped, driven across the country, and held in a cabin in the woods for two months by a charismatic stranger. Nearly twenty years later, Lois has become a professor, teaching British literature at a small college in upstate New York, and Carly May is an actress in Los Angeles, drinking too much and struggling to revive her career. When a movie with a shockingly familiar plot draws the two women together once more, they must face the public exposure of their secret history and confront the dark longings and unspeakable truths that haunt them still. Maggie Mitchell's Pretty Is beautifully defies ripped-from-the-headlines crime story expectations and announces the debut of a masterful new storytelling talent.
PUBLISHERS WEEKLY
Mitchell's debut novel is both a skewering of America's JonBenet Ramsey style fixation with little girls in peril and a fascinating glimpse at the intensity of female friendship. In the mid 1990s Carly May Smith and Lois Lonsdale, both 12, were kidnapped and held in a remote enclave of the Adirondacks for two long, claustrophobic months. Precocious Carly was a preteen pageant circuit darling, desperate to escape the dreariness of Nebraska farm life. Quiet and intelligent Lois grew up in her parents' Connecticut B&B and devoted herself to spelling bees. All they had in common were public profiles: their abductor had used newspaper clippings about them to devise his kidnapping. Told in flashbacks from alternating points of view, the work is most interesting when Mitchell explores the girls' desires and neuroses. Under coincidental circumstances (Lois writes a novel about the experience, and Carly acts in the film adaptation), the women are reunited as adults and must revisit the truth about what really happened in that cabin in the woods. Psychologically rich, with haunting detail, Mitchell's work is a disturbing, insightful look at our deep fears.