Private Rites
A Novel
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- ¥1,400
発行者による作品情報
A NEW YORK TIMES Editors' Choice!
From the BELOVED, AWARD-WINNING author of Our Wives Under the Sea, a speculative reimagining of King Lear, centering three sisters navigating queer love and loss in a drowning world
“One of my FAVORITE NOVELS of the past few years.” —Jeff VanderMeer, NEW YORK TIMES BESTSELLING author of Annihilation
It’s been raining for a long time now, so long that the land has reshaped itself and old rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father, an architect as cruel as he was revered, dies. His death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.
The sisters are more estranged than ever, and their lives spin out of control: Irene’s relationship is straining at the seams, Isla’s ex-wife keeps calling, and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.
PUBLISHERS WEEKLY
Armfield (Our Wives Under the Sea) offers a grim and absorbing retelling of King Lear set in a damp near-future city resembling London. It's rained for so long that the infrastructure has collapsed and residents, who travel by water taxi, wonder if they're living in the end-times. Navigating this "endless ending" are three sisters—Isla, Irene, and Agnes—who are also coming to terms with the death of their famous father, a pompous architect of "mad glass boxes for rich people." Not only did the sisters hate him, they barely tolerate one another. Reunited on the eve of the funeral, they bicker ("I don't think... you can fix however many years of him playing us off against each other," Agnes says) before discovering a new dimension of their father's cruelty when his will is read. The character work is well done, with chapters revealing eldest daughter Isla's bossiness, Irene's struggle to stand out as the middle sister, and Agnes's irresponsibility. Though the apocalyptic denouement feels a bit contrived, Armfield succeeds at conjuring her characters' existential fears. This well-wrought family drama is tough to shake.
