Psychedelic Bubble Gum
Boyce & Hart, The Monkees, and Turning Mayhem into Miracles
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- ¥500
発行者による作品情報
From the man who wrote the music that outsold the Beatles and the Rolling Stones in 1967-1968, . Immerse yourself in Grammy, Golden Globe, and Academy Award nominated songwriter Bobby Hart’s world as he shares an exclusive glimpse into his life. Psychedelic Bubble Gum is the story behind his success, the rise of Boyce and Hart as musical goliaths, and their role in launching the Monkees to stardom.
With unbending sincerity, Hart details a life of extravagance, betrayal, loss, disillusionment, and an unstoppable personal struggle to find balance, peace, and love. Psychedelic Bubble Gum is a rollercoaster ride through the 1960s and 70s America’s whirlwind era of free speech, mysticism, and psychedelic pop culture packed with intimate behind-the-scenes encounters with pop star royalty. Psychedelic Bubble Gum is tempered by humor, honesty, and a singular understanding of the industry.
PUBLISHERS WEEKLY
Hart, half of a songwriting duo that crafted hundreds of 1960s and '70s pop hits and gave the made-for-TV band the Monkees their signature theme song and "Last Train to Clarksville," aims to inspire readers' creativity with this earnest but not terribly interesting autobiography. Fans of mass-produced pop will be pleased to read about Hart's early songwriting days, which gave the world "Come a Little Bit Closer," a great hit for the long-ago Jay and the Americans, and led to a gig (with writing partner Tommy Boyce) supplying tunes for the "Pre-Fab Four." Apart from an engaging discussion of both songwriting and the technical production aspects of some of his Monkees work, there's little exploration of the songwriting craft. Instead, Hart piles on plenty of earnest, cheery aphorisms about creativity, offered in several lists of maxims, helpful hints, and inspirational sayings. These include "Your Thoughts Create Your Reality" and other distillations of the teachings of Paramahansa Yogananda, a book whose influence Hart cites throughout his ghostwritten account. Readers may appreciate the brief look at the mid-1960s machinery of creating mass musical entertainment, but there's not much else that will keep anyone but a deeply dedicated fan turning the pages.
