Pulphead
Notes from the Other Side of America
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- ¥1,600
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- ¥1,600
発行者による作品情報
John Jeremiah Sullivan takes us on a funhouse hall-of-mirrors ride through the other side of America - to the Ozarks for a Christian rock festival; to Florida to meet the straggling refugees of MTV's Real World; to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina - and back again as its residents confront the BP oil spill. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan - with a laidback, erudite Southern charm that's all his own - shows us how America really (no, really) lives now.
PUBLISHERS WEEKLY
The age-old strangeness of American pop culture gets dissected with hilarious and revelatory precision in these scintillating essays. Whiting Award winning critic and journalist Sullivan (Blood Horses) surveys 10,000 years of intriguing, inexplicable, and incorrigible socio-aesthetic phenomena, from the ancient Indian cave paintings of Tennessee (and their hillbilly admirers) to the takeover of his Wilmington, N.C., house by the teen soap opera One Tree Hill. Along the way he visits a Christian rock festival brimming with fellowship and frog-devouring savagery; witnesses the collapse of civilization in a post-Katrina gas line; hangs out in the professional-partying demimonde of MTV's RealWorld; marches with exuberant Tea Partiers; scouts the animal kingdom's gathering war on mankind; and traces the rise of rocker Axl Rose from his origins as a weedy adolescent punk in the small-town void of central Indiana. Sullivan views this landscape with love, horror, and fascination, finding the intricate intellectual substructures underlying the banalities, the graceful in the grotesque, the constellations of meaning that fans discern amid the random twinklings of stars. Sullivan writes an extraordinary prose that's stuffed with off-beat insight gleaned from rapt, appalled observations and suffused with a hang-dog charm. The result is an arresting take on the American imagination.
