Pursuit
A Novel
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- ¥1,400
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- ¥1,400
発行者による作品情報
A private investigator becomes embroiled in a gruesome murder investigation, tracking a killer who will do anything to avoid capture—a “bona fide nail-biter” (The New York Times) from the award-winning author of The Butcher’s Boy.
“Pursuit is relentless, filled with twists and turns, that rare page-turner that keeps one reading late into the night to finish.”—The Boston Globe
WINNER OF THE GUMSHOE AWARD FOR BEST NOVEL
Thirteen bodies are found in a Louisville restaurant. When the police can find no suspect or motive, a victim’s family seeks the services of the enigmatic and solitary specialist Roy Prescott, known for his ability to find people who don’t want to be found. Working outside the law and willing to do what the police can’t, Prescott hunts the killer, an elusive adversary who is as smart, as methodical, as deadly as he is. The only way to conduct this pursuit is to goad the killer into believing that he must kill Roy Prescott. It is a contest fought from one end of the country to the other, and both men understand that when it’s over, only one of them will be alive.
PUBLISHERS WEEKLY
The massacre of 13 people in a Louisville restaurant opens Perry's latest psychological thriller (after Death Benefits). Criminologist Daniel Millikan determines that this was no random occurrence, but an assassination carried out by a ruthless, methodical predator but who was the target? The killer, James Varney, is a cold-blooded psychopath who claimed his first victim his aunt at the age of 11; a loner, he later turned to robbery and murder for hire. Against his better judgment, Millikan supplies the father of one of the victims with the name of someone who might be able to help: shady operator Roy Prescott. Prescott's past is dark enough to enable him to get inside the mind of the killer and, with Millikan's help, he sets in motion an elaborate cat-and-mouse game that moves from city to city, with each man trying to anticipate the other's every move as the body count continues to rise. The traps Prescott devises to catch his prey and the ways in which Varney eludes them are fascinating, albeit a bit far-fetched, and Perry supplies just enough background to give the two leads depth with a minimum of psychobabble. The female characters, while essential to the plot, are thinly drawn by comparison, and the book loses momentum about halfway through, when Varney goes into hiding and Prescott tries to determine who hired him to commit the initial murders but Perry definitely comes through in the end, expertly tying the threads together.
