Rachel's Holiday
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- ¥1,600
発行者による作品情報
The fast lane is much too slow for Rachel Walsh. And Manhattan is the perfect place for a young Irish female to overdo everything. But Rachel's love of a good time is about to land her in the emergency room. It will also cost her a job and the boyfriend she adores.
When her loving family hustles her back home and checks her into Ireland's answer to the Betty Ford Clinic, Rachel is hopeful. Perhaps it will be lovely—spa treatments, celebrities, that kind of thing. Instead, she finds a lot of group therapy, which leads her, against her will, to some important self-knowledge. She will also find something that all women like herself fear: a man who might actually be good for her.
PUBLISHERS WEEKLY
Irish by birth but a trendy New Yorker for the past eight years, Rachel Walsh learns just what it means to have too much fun in this lively drama about addiction and recovery. Rachel enjoys cocaine, alcohol and meeting men in bars, especially men wearing tight leather pants. She can match anybody's hilarious anecdotes about a Catholic childhood, but recently her life's gone awry, and God has become "more like a celestial stand-up comic" than a "benign old guy with long hair." When she wakes up in a hospital emergency room and finds she's been diagnosed as a suicidal drug addict, she's enraged. She's also broke and unemployed, and her boyfriend has abandoned her. As a final indignity, her father takes her back home and books her into Dublin's Betty Ford-like clinic, the Cloisters. Famous for a clientele of rock stars, it should be a glamorous spa, but it isn't. Quarters are spartan, clients do housework and group therapy is humiliating. It could be worse, though, and there's one good-looking fellow-inmate who might, or might not, be a lifeline post-Cloisters. This novel isn't a how-to on overcoming addiction but an examination, often comic, of treatment that is expected to result in personality changes necessary for recovery. Smart-ass Rachel actually becomes a beguiling heroine after learning to wake up and cook eggs at about the same time in the morning she used to fall into somebody's bed in New York. Clever badinage ("the only way to get over one man is get under another") unfortunately sometimes gives way to phrases like "pantie-meltingly gorgeous." The narrative is overlong, and the characters rarely speak--they yell or shriek--but, overall, Keyes's stylish wit keeps readers attentive, and her take on addiction is insightful and compassionate.
