Reproduction
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- ¥850
発行者による作品情報
‘Compelling, elegant and bitingly smart.’ Nell Stevens, author of Briefly, A Delicious Life
A Frankenstein for the twenty-first century by the Dylan Thomas Prize-shortlisted author of Trinity and Speak
A woman begins work on a novel about Mary Shelley while pregnant for the first time. Recently married, she has just moved from New York to Montana.
As the woman writes, fragments of Shelley’s story begin to detach themselves from the page. Moving through her reproductive years, Shelley endured a catalogue of losses painful beyond comprehension. Still, she wrote, conceiving Frankenstein in 1816.
The woman’s experiences of pregnancy, miscarriage and labour are traumatic and disorienting, especially in the context of political upheaval, climate crisis, and an ongoing pandemic. Finally, she gives birth to a daughter and together they emerge into another world.
Then a friend from the past reappears. Anna is a biochemist who has been struggling to become a parent, a scientist who sees everything as an experiment. How far will she go in her desire to bring a baby into being?
Devastating and joyful, elegant and exacting, Reproduction is a powerful reminder of the hazards and the rewards involved in creating new life.
PUBLISHERS WEEKLY
Hall (Speak) delves into conception, pregnancy, and childbirth with the story of a writer, her friend, and Frankenstein author Mary Shelley. In 2018, the unnamed pregnant narrator moves from New York City to Montana with her husband. She has a miscarriage, and while working on a novel about Shelley, she becomes fixated on Shelley's horrifying experiences, including the death of her three young children and a near-fatal miscarriage. The narrator also reconnects with her old friend Anna, a scientist studying human genetic engineering. As Anna attempts to get pregnant via IVF and a sperm donor, the narrator incorporates Anna's story into her novel, as well as an account of her own miscarriage and increasingly nightmarish reproductive challenges during the early days of the pandemic. Hall's unconventional novel, thick with dreams, the narrator's pregnancy-induced nausea, and the dread induced by wildfires and Covid-19, offers visceral descriptions and striking insights (describing Anna, the narrator writes: "She'd felt like their monster: out of control of her own body. It had filled her with rage, which made her doubt her capacity to be a good mother. But she'd also been excited"). Graceful, precise, and perceptive, this is a memorable take on the danger and strangeness of pregnancy.
