Roth Unbound
-
- ¥1,600
-
- ¥1,600
発行者による作品情報
Philip Roth – one of the most renowned writers of his generation – hardly needs introduction. From his debut, Goodbye, Columbus, which won the National Book Award, to his Pulitzer Prize-winning American Pastoral, to his eternally inventive later works such as Exit Ghost and Nemesis, Roth has produced some of the greatest literature of the past hundred years. And yet there has been no major critical work about him, until now.
Here, at last, is the story of Roth’s creative life. Claudia Roth Pierpont tells an engaging story even as she delves into the many complexities of Roth’s work and the controversies it has raised. This is not a biography – though it contains many biographical details – but something more rewarding: an attempt to understand a great writer through his art.
Pierpont, who has known Roth for several years, peppers her gracefully written and carefully researched account with conversational details, providing insights and anecdotes previously accessible only to a very few, touching on Roth’s family, his inspirations, his critics, the full range of his fiction, and his literary friendships with such figures as Saul Bellow and John Updike.
Roth Unbound is a major achievement, a fascinating and highly readable work that will set the standard for Roth scholarship for years to come.
PUBLISHERS WEEKLY
In 2012, acclaimed novelist Philip Roth famously declared that he was retiring, sending shudders of disbelief through the literary world. Drawing on conversations with Roth and featuring insightful close readings of his entire oeuvre, longtime New Yorker staff writer Pierpont (Passionate Minds: Women Rewriting the World) offers a dazzling chronicle that traces moments from the author's life and explores the "life of his art." Pierpont develops the story of Roth's writing chronologically, summarizing the plots and critical reception of each of his many novels, from Goodbye, Columbus (1959) to Nemesis (2010). For example, "When She was Good is a book as harsh and plain as the world that Roth depicts.... Roth was no longer standing outside the Americans' he'd been observing... he was burrowing within them, even if only to discover a resistance to admitting depths." Pierpont declares Sabbath's Theater "a masterpiece of twentieth-century American literature: coursing with life, dense with character and wisdom, it gives the deepest experiences we face dying, remembering, holding on to each other the startling impact of first knowledge." Exit Ghost is about the "mystification between young and old," while Nemesis is about "conscience and duty as much as it is about the randomness of fate." Her luminous and graceful study achieves what all good criticism should: it drives us to reread Roth's work anew.
