Save What's Left
A Novel (Good Morning America Book Club)
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- ¥1,700
発行者による作品情報
GMA BOOK CLUB PICK • ONE OF PEOPLE MAGAZINE'S BEST BOOKS OF SUMMER • An outrageously funny debut novel about a woman who moves to a small beach town looking for peace, only to find herself in an all-out war with her neighbors.
“Irreverent and unexpectedly tender, this story takes neighborhood feuding to new heights and finds beauty and reinvention in unlikely places." —Oprah Daily
"Brings a tongue-in-cheek tone to the beach read genre."—TIME
When Kathleen Deane’s husband, Tom, tells her he's no longer happy with his life and their marriage, Kathleen is confused. They live in Kansas. They’ve been married thirty years. Who said anything about being happy? But with Tom off finding himself, Kathleen starts to think about what she wants. And her thoughts lead her to a small beach community on the east coast, a town called Whitbey that has always looked lovely in the Christmas letters her childhood friend Josie sends every year.
It turns out, though, that life in Whitbey is nothing like Josie’s letters. Kathleen’s new neighbor, Rosemary, is cantankerous, and the town’s supervisor won't return Kathleen’s emails, but worst of all is the Sugar Cube, the monstrosity masquerading as a holiday home that Kathleen’s absentee neighbors are building next door to her quaint (read: tiny) cottage. As Kathleen gets more and more involved in the fight against the Sugar Cube and town politics overall, she realizes that Whitbey may not be a fairytale, but it just might be exactly what she needed.
Save What’s Left can best be described as the “un-beach read.” It pulls back the curtain on life in a beach town, revealing the true cost of a pretty view. Told from the candid and irreverent perspective of a newcomer turned local, this is a story of forgiveness, fortitude, and second chances.
PUBLISHERS WEEKLY
Castellano turns the beach-read genre on its head in her clever debut. Fifty-nine-year-old Kathleen moves from Kansas to the little seaside town of Whitbey, N.Y., after her husband, Tom, makes the surprising announcement that he wants a divorce. Expecting a "bucolic paradise" and "small-town charm," Kathleen buys a waterfront oyster shack and drives across country, but instead of beachfront bliss, she finds a two-room shed with a leaking roof and a rotting bulkhead, next door to a McMansion-in-progress, a monstrosity the locals call the Sugar Cube. Soon she finds herself engaged in an impassioned, one-sided correspondence with the town supervisor, detailing her grievances regarding the massive construction project. She also inadvertently takes a side in a local turf war regarding the development of a vacant waterfront property. And rather than meeting a handsome stranger as she'd hoped, Kathleen is instead surprised when Tom shows up, having bailed on a cruise around the world and purchased an Airstream, which he parks in Kathleen's driveway. The plot, which culminates in some big, late-breaking twists, is a bit lopsided, but Kathleen's character and worldview are impeccably drawn, thanks to Castellano's idiosyncratic and assured voice. This witty send-up is a winner.
