Seduction in Death
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- ¥850
発行者による作品情報
Dante had been courting his victim in cyberspace for weeks before meeting her in person. A few sips of wine and a few hours later, she was dead. The murder weapon: a rare, usually undetectable date-rape drug with a street value of a quarter million dollars. Detective Eve Dallas is playing and replaying the clues in her mind. The candlelight, the music, the rose petals strewn across the bed—a seduction meant for his benefit, not hers. He hadn’t intended to kill her. But now that he had, he is left with only two choices: to either hole up in fear and guilt. Or start hunting again…
PUBLISHERS WEEKLY
In the 13th installment of Robb's (aka Nora Roberts) futuristic In Death series (after Betrayal in Death), New York's Lieutenant Eve Dallas takes on a Casanova killer who targets young women via on-line poetry chat rooms. The killer sets the mood for murder with rose petals, candlelight and expensive wine laced with a deadly date-rape drug. The novel opens (as others have in the past) with Eve reliving the horror of stabbing her abusive father to death. The narrative then switches to another grim scene that of a woman who has been pushed from a balcony. With the technology available in 2059, identifying the culprit should be simple, but this killer is more inventive than most: he becomes each victim's fantasy man. To make Eve's job even more difficult, a psychological profile indicates that there may be two killers or one with a multiple-personality disorder. Robb sprinkles her narrative with the usual supporting characters: Roarke, Eve's rich husband, uses his state-of-the-art computers to assist her with the case; Peabody, Eve's assistant, is still dancing a sexual tango with Officer McNab; and Roarke's lofty but caring butler remains a thorn in Eve's side. Although Robb's energetic prose and hard-edged dialogue will keep readers engrossed, this installment offers little that is new or fresh.
