Sessions With Sinatra
Frank Sinatra and the Art of Recording
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- ¥1,900
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- ¥1,900
発行者による作品情報
Featuring 100 photographs of Frank Sinatra working with orchestras and arrangers, listening to playbacks, and, of course, singing, this book tells the whole story of how he created the Sinatra sound and translated the most intense personal emotions into richly worked-out songs of unrivalled expressiveness. One of the thrills of listening to Sinatra is wondering how he did it—and this book explains it all, bringing the dedicated fan and the casual music lover alike into the recording studio to witness the fascinating working methods he introduced and mastered in his quest for recorded perfection. Revealed is how, in addition to introducing and perfecting a unique vocal style, Sinatra was also his own in-studio producer—personally supervising every aspect of his recordings, from choosing the songs and arrangers to making minute adjustments in microphone placement.
PUBLISHERS WEEKLY
Granata, producer and director of Sinatra's Columbia recordings, offers a rare glimpse into the work that went into making the Sinatra sound. He covers all the technical details, from Sinatra's early pioneering of the microphone as instrument to transcripts of his many studio directions and casual late-night jokes. Granata summarizes the major recording eras in Sinatra's career, from the Columbia years (1943-1952) to his Duets work in the mid-1990s with singers such as Bono and Chrissie Hynde. With a foreword by adoring sound engineer Ramone and afterword by Nancy Sinatra, this testimony to Sinatra's studio time is weakened only by its unwavering homage. But much can be read between the lines. What is said (Sinatra is quoted, "You can never do anything in life quite on your own.... Making a record is as near as you can get to it") and what can be extrapolated (Sinatra did not, perhaps, appreciate the debt owed to songwriters, musicians, producers and arrangers) can make for good reading. Late in the book, Granata confesses, "Sinatra's personal relationships with the musicians were complex.... Maybe Sinatra feared the old adage, `Familiarity breeds contempt.'" It's evident throughout that Sinatra asserted his ideas and ego masterfully, creating his unique sound and image with an iron will. Those who enjoyed Bill Zehme's book on Sinatra's style, The Way You Wear Your Hat, will welcome this look at the technique, skills and behind-the-scenes action involved in one of the longest, most successful singing careers in U.S. history. 100 photographs.
