Shards
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- ¥1,200
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- ¥1,200
発行者による作品情報
A New York Times Notable Book: "Brilliant . . . With verbal glee, Prcic serves up a darkly comic vision of the terrors and misunderstandings of immigration" (Shelf Awareness).
Ismet Prcic's brilliant, provocative, and energetic debut novel is about a young Bosnian, also named Ismet Prcic, who has fled his war-torn homeland and is now struggling to reconcile his past with his present life in California.
He is advised that in order to make peace with the corrosive guilt he harbors over leaving his family behind, he must "write everything." The result is a great rattlebag of memories, confessions, and fictions: sweetly humorous recollections of Ismet's childhood in Tuzla appear alongside anguished letters to his mother about the challenges of life in this new world. As Ismet's foothold in the present falls away, his writings are further complicated by stories from the point of view of another young man—real or imagined—named Mustafa, who joined a troop of elite soldiers and stayed in Bosnia to fight. When Mustafa's story begins to overshadow Ismet's new-world identity, the reader is charged with piecing together the fragments of a life that has become eerily unrecognizable, even to the one living it.
Shards is a thrilling read—a harrowing war story, a stunningly inventive coming of age, and a heartbreaking saga of a splintered family.
"Fierce, funny and real, it also says much about war, exile, guilt and fear." —Chicago Sun-Times, Favorite Books of 2011
PUBLISHERS WEEKLY
With this frenetic debut novel set during the Bosnian war, Prcic proves that it's impossible to outrun your past. The narrator, whose name is Ismet Prcic, recounts his childhood in Tuzla before the war and his adolescent interest in theater, which led him to a drama festival in Edinburgh, and his escape to America in 1995. But Prcic's tale is complicated and nonlinear; intercut with his youthful days in Bosnia spent avoiding Serbian mortar attacks are snippets of his rapidly deteriorating life in California, letters to his depressive mother back home, and, in a most intriguing twist, the story of another young Bosnian man, Mustafa Nalic. Instructed by his American psychiatrist to "write everything" (and take Xanax), Prcic at first seems to have invented Mustafa as a counterpart to his own life: Mustafa the soldier who remained in Bosnia. But as the fictional Prcic continues to deteriorate in the U.S., losing his girlfriend and his fragile grasp on reality, Mustafa morphs from fictional construct to flesh and blood until Prcic cannot separate his memories from what "Mustafa" imagined. Though the intricate structure proves challenging at times, Prcic captures the insanity of war and its unceasing aftermath.
