Shifting Gears
Technology, Literature, Culture in Modernist America
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- ¥3,400
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- ¥3,400
発行者による作品情報
Shifting Gears is a richly illustrated exploration of the American era of gear–and–girder technology. From the 1890s to the 1920s machines and structures shaped by this technology emerged in many forms, from automobiles and harvesting machines to bridges and skyscrapers. The most casual onlooker to American life saw examples of the new technology on Main Street, on the local railway platform, and in the pages of popular magazines.
A major consequence of this technology was its effect on the arts, in particular the literary arts. Three prominent American writers of the time — Ernest Hemingway, John Dos Passos, and William Carlos Williams — became designer–engineers of the word. Tichi reveals their use of prefabricated, manufactured components in poems and prose. As designers, they enacted in style and structure the new technological values. The writers, according to Tichi, thought of words themselves as objects for assembly into a design.
Using materials from magazines, popular novels , movie reviews, the toy industry, and advertising, as well as the texts of the nation’s major enduring writers, Tichi shows how turn–of–the–century technology pervaded every aspect of American culture and how this culture could be defined as a collaborative effort of the engineer, the architect, the fiction writer, and the poet. She demonstrates that a technological revolution is not a revolution only of science but of language as well.
Originally published in 1987.
A UNC Press Enduring Edition — UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
PUBLISHERS WEEKLY
In this lengthy study, Boston Univ. English professor Tichi (author of New World, New Earth examines technology's impact on language, art and popular culture from the 1890s to the 1920s. During this period the professional engineer became a national role model, idealized in now-forgotten best sellers by Rex Beach, Harold Bell Wright and John Fox. But more fundamentally, Tichi contends, American literature was transformed when new technological values represented by the efficiency movement of Frederick Taylor and the "aesthetic of the rapid-transit experience'' were adopted in various ways by American writers such as Hemingway, Dos Passos and William Carlos Williams. (Indeed, the book concludes with an analysis of Williams's ``poetics of kinetics and efficiency'' and his belief that a poem is a ``machine made of words.'') The 119 illustrations include advertisements, photos, paintings, diagrams, postcards and sculpture and are closely linked with the author's illuminating text.