Shop Talk
A Writer and His Colleagues and Their Work
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- ¥1,600
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- ¥1,600
発行者による作品情報
The legendary author's essays and interviews explore how fellow writers from Milan Kundera to Edna O'Brien are influenced by time, place, and politics.
Writers are often deeply influenced by the time and place in which they live and write. In Shop Talk, Philip Roth, winner of a National Book Award, a Pulitzer Prize, and numerous other literary honors, explores the intimate relationship a writer's experience has with his or her work.
In a series of essays, Roth recounts his intellectual encounters with writers, discussing with them the diverse regions from which they hail and pondering the influence of locale, politics, and history on their work. Featuring luminaries such as Milan Kundera discussing Czechoslovakia; Primo Levi talking about Auschwitz; Edna O'Brien reflecting on Ireland; Isaac Bashevis Singer tackling Warsaw; Aharon Appelfeld on Bukovina; and Ivan Klíma on Prague, Roth's conversations touch on the conditions that inspire great art, with artists as attuned to the subtleties of their societies as they are the nuances of words.
Also including a portrait of Bernard Malamud, a written exchange with Mary McCarthy about Roth's The Counterlife, and the essay "Rereading Saul Bellow," Shop Talk is a "fascinating [glimpse] of some of the deans of postwar literature" (Los Angeles Times Book Review).
PUBLISHERS WEEKLY
Roth continues to be feverishly productive after American Pastoral vaulted him back onto the novelists' A-list in the late '90s, and last year's The Human Stain kept hiim there. This book is a grab bag of conversations and exchanges of letters with other writers, and essays, which originally appeared in the New York Times Book Review, the New York Review of Books, the New Yorker and Vanity Fair. Among his correspondents are Primo Levi and novelists Aharon Appelfeld, Isaac Bashevis Singer, Edna O'Brien and Milan Kundera. In none of these conversations does the reader get a clear picture of both parties, since Roth's overlong questions and self-referential statements rarely turn the spotlight away from himself, and most of the chatter is about writers' status and career, rather than artistry or real "shop talk." Czech novelist Ivan Klima is coarsely described as resembling "a highly intellectually evolved Ringo Starr." There is an abstruse and cryptic pair of letters exchanged with Mary McCarthy, and a merciless memoir of novelist Bernard Malamud, who when dying read aloud the beginning of a new novel written with immense difficulty, only to have Roth pick holes in the work: "Trying to be constructive, I suggested that the narrative opened too slowly and that he might better begin further along.... " Collections and individual readers would do better to buy copies of the novels from decades ago that established this writer's fame than look here for unplumbed depths.
