Slummy Mummy
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- ¥850
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- ¥850
発行者による作品情報
A smart, laugh-out-loud debut novel about a deeply flawed but endearing stay-at-home mom, a book for anyone who took Helen Fielding’s Bridget Jones to heart a decade ago-and now has kids.
Lucy Sweeney has three sons, a husband on a short fuse, and a tendency toward domestic disaster. It has been years since the dirty laundry pile was less than three feet high, months since she remembered to have sex, and weeks since her toddler started using the trash can as a toilet. Lucy is living in a constant state of emergency, caught between perfectionist Yummy Mummy No. 1 and competitive Alpha Mum, making it hard for her to remember exactly why she exchanged her career and sanity for less than blissful domesticity. When she begins a flirtation with Sexy Domesticated Dad, a father from the school car-pool lane, the string of white lies to cover up the trail of chaos and illicit desire starts to unravel and disaster looms.
Slummy Mummy is a hilarious novel about the dilemmas of modern marriage and motherhood for those who never discovered their inner domestic goddess. Pitch-perfect and satisfyingly smart, it does for the stay-at-home mother what Allison Pearson's blockbuster bestseller I Don't Know How She Does It did for the working mom: It offers a lovable, flawed character who resonates, entertains, and undoubtedly has it worse than you do.
PUBLISHERS WEEKLY
Like Bridget Jones before her, Lucy Sweeney, the heroine of this pastel-jacketed bonbon of a debut, is an endearing everywoman prone to disaster. But unlike her chick lit predecessor, Lucy is a married, stay-at-home mom who gave up an impressive career as a television news producer to care for her three sons in tony northwest London. Lucy exists in a constant state of chaos (she has lost 11 credit cards in the past year; she has seven different kinds of credit card debt; and her habit of wearing pajamas to drop off her children at school has hardly gone unnoticed). But, when a flirtation with "Sexy Domesticated Dad" (a fellow classroom parent) threatens to develop into something more, so too does Lucy's growing sense that "somewhere in the domestic maelstrom I have lost myself." Whether she will find herself again and, in time is the question at the center of this crackling-with-wit debut. Although the plot careens toward an over-the-top, too-neat ending, London Times columnist Neill's delight in and empathy for her characters, her respect for the demands of domestic life and her tender evocations of motherhood more than compensate.
