Some Great Thing
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- ¥1,700
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- ¥1,700
発行者による作品情報
“A powerful, poetic, bawdily funny, and tenderly sad novel about class, about love, about drink, about poetics, about land, and about money—a few of the salient things that life and history are made of.”
—O, The Oprah Magazine
In his highly acclaimed debut novel, Colin McAdam depicts the struggle between two men involved in building a city’s future: developer Jerry McGuinty, blue collar, selfmade, a master craftsman, and Simon Struthers, a civil servant from a prominent, wealthy background who shapes land-use policy. Jerry has a blind spot for his alcoholic wife, and Simon moves between women, consumed by a frantic emptiness. When their two stories begin to intertwine, their lives and ambitions are set on a collision course. A richly observed story of family, class, love and the individual contributions we make to the bigness of the world, Some Great Thing is a powerful work from one of the most exciting voices of his generation.
PUBLISHERS WEEKLY
Urban planning and construction in Ottawa, Canada, might seem like dull subjects on which to build a novel, but in this compelling, bawdy debut, McAdam fashions them into powerful metaphors for the ambitions and personalities of two opposing characters, Jerry McGuinty and Simon Struthers. An introverted construction worker whose most reliable expression is "fuckin eh," McGuinty dreams of building better houses than the shoddy tract homes he's hired to plaster; eventually, he becomes one of the most powerful developers of suburban Ottawa. Struthers, on the other hand, is the master of the charming, vapid bureaucratic memo; the government's director of design and land use, he has a reputation for a smooth tongue in the office and among the ladies. Distracted by one love affair after another, Struthers feels age erode his promise until he becomes desperate to accomplish some great public works project on the same piece of land where McGuinty is determined to build his most magnificent housing community yet. Fans of Martin Dressler will appreciate McAdam's attention to the mechanics of real estate development, but his forceful, cartwheeling prose style is more akin to that of Dermot Healy or Lawrence Sterne. His first-person narrators wink and hint at the reader, and he sometimes indulges in stream of consciousness or other formal play. Some of these sections have more flash than substance the book's least successful bit is its first 20 pages. But McAdam redeems himself by fusing his housing narrative with a thoughtful exploration of the dynamics of home, where the relationships between fathers and sons, mothers and daughters, can often be more loving than those between husband and wife. Technical prowess and a surprising empathy mark McAdam as a writer to watch.
