Somewhere
The Life of Jerome Robbins
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- ¥730
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- ¥730
発行者による作品情報
The “fantastically interesting” (NPR’s All Things Considered) biography of the legendary, intensely ambitious choreographer and director who changed Broadway with his productions of Fiddler on the Roof, West Side Story, and Gypsy—from the Pulitzer Prize–winning author of Pride and Pleasure
“Superlative . . . a vivid account of a theatrical wizard.”—Vogue
To some, Jerome Robbins was a demanding perfectionist, a driven taskmaster, a theatrical visionary; to others, he was a loyal friend, a supportive mentor, a generous and entertaining companion and colleague. Guarded and adamantly private, he was an inveterate and painfully honest journal writer who confided his innermost thoughts and aspirations to a remarkable series of diaries and memoirs. As a choreographer and director of ballets like Dances at a Gathering, Afternoon of a Faun, and The Concert, he humanized neoclassical dance; with groundbreaking musicals like Fiddler on the Roof, West Side Story, and Gypsy, he changed the face of theater in America and exemplified the flowering of American art in the mid-twentieth century.
His personal and professional lives were equally provocative: a self-proclaimed homosexual, Robbins had relationships with both men and women, and at the height of anti-Communist hysteria, he was forced to testify before Congress. Somewhere places Jerome Robbins squarely in the cultural ferment of his time and native city.
Drawing on thousands of pages of documents to which Amanda Vaill was granted unfettered access, as well as on other archives and hundreds of interviews, Somewhere is a riveting narrative of a life lived onstage, offstage, and backstage. It is also an accomplished work of criticism and social history that chronicles one man’s phenomenal career at a time when New York City was truly “a helluva town.”
PUBLISHERS WEEKLY
Robbins (1918 1998) was the choreographic genius behind the 1957 Broadway hit West Side Story and other musical classics, in addition to such great ballets as Fancy Free and Dances at a Gathering. Vaill (Everybody Was So Young: Gerald and Sara Murphy: A Lost Generation Love Story) was given unprecedented access to Robbins's personal papers after his death, and the result is a critically sophisticated biography that's as compulsively readable as a novel. As she traverses Robbins's growth as an artist, his ambivalence about his Jewish heritage, his bisexuality and his relationships with other artists from Balanchine, to Bernstein to Baryshnikov, she writes with both passion and compassion. More than Deborah Jowitt in her recent Robbins bio, Vaill delves into Robbins's personal life, quoting frequently from his diary and letters. But the result isn't salacious; rather, it allows a more vibrant and vital rendering of the man. Known for being very harsh on dancers, Robbins was called everything from "genius and difficult to tyrant and sadist," says Vaill, "yet the work... was marked by an ineffable sweetness and tenderness." In her balanced, sensitive portrait of an American theatrical genius, Vaill captures these contradictions elegantly. The book is essential reading for lovers of theater and dance.