Sourland
Stories
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- ¥1,600
発行者による作品情報
“Oates is a fearless writer.”
—Los Angeles Times
“Oates is a master of the dark tale—stories of the hunted and the hunter, of violence, trauma, and deep psychic wounds.”
—Booklist (starred review)
Sourland is a gripping, haunting, and intensely moving collection of short stories by Joyce Carol Oates, one of America’s preeminent authors. Unforgettable tales that re-imagine the meaning of loss—often through violent means—Sourland is yet another extraordinary read from the literary icon who has previously brought us The Gravedigger’s Daughter, Blonde, We Were the Mulvaneys, and numerous other classic works of contemporary fiction.
PUBLISHERS WEEKLY
Oates's latest collection explores certain favorite Oatesian themes, primary among them violence, loss, and privilege. Three of the stories feature white, upper-class, educated widows whose sheltered married lives have left them unprepared for life alone. In "Pumpkin-Head" and "Sourland," the widows Hadley in the first story, Sophie in the second encounter a class of Oatesian male: predatory, needy lurkers just out of prosperity's reach. In the first story, our lurker is Anton Kruppe, a Central European immigrant and vague acquaintance of Hadley whose frustrations boil over in a disastrous way. In the second story, Sophie is contacted by Jeremiah, an old friend of her late husband, and eventually visits him in middle-of-nowhere northern Minnesota, where she discovers, too late, his true intentions. The third widow story, "Probate," concerns Adrienne Myer's surreal visit to the courthouse to register her late husband's will, but Oates has other plans for Adrienne, who is soon lost in a warped bureaucratic funhouse worthy of Kafka. Oates's fiction has the curious, morbid draw of a flaming car wreck. It's a testament to Oates's talent that she can nearly always force the reader to look.
