Sparring Partners
Novellas
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- ¥1,400
発行者による作品情報
#1 NEW YORK TIMES BESTSELLER • The law works in mysterious ways in the first collection of novellas from John Grisham, the acknowledged master of the legal thriller.
“Grisham is exceptionally good at what he does.”—The Washington Post
“Homecoming” takes us back to Ford County, the fictional setting of many of John Grisham’s unforgettable stories, where Jake Brigance tries to help an old friend. Three years earlier, Mack Stafford stole money from his clients, divorced his wife, filed for bankruptcy, and left his family in the middle of the night. His homecoming does not go as planned.
In “Strawberry Moon,” we meet Cody Wallace, a young death row inmate only three hours away from execution. His lawyers can’t save him, the courts slam the door, and the governor says no to a last-minute request for clemency. As the clock winds down, Cody has one final request.
And in “Sparring Partners,” feuding brothers Kirk and Rusty Malloy struggle to keep their father’s once prosperous firm afloat. As it disintegrates, Diantha Bradshaw, the only person the partners trust, must make a choice: save the Malloys, or take a stand for the first time in her career and save herself.
By turns suspenseful, hilarious, powerful, and moving, these are three of the greatest stories John Grisham has ever told.
PUBLISHERS WEEKLY
Thinly developed characters and underwhelming plots mar the three entries in bestseller Grisham's first novella collection. "Homecoming," the opener, underutilizes Ford County, Miss., attorney Jake Brigance, the lead of Grisham's debut, A Time to Kill. A couple hand deliver a letter to Jake from Mack Stafford, someone they met on vacation in Costa Rica; he's an old colleague of Jake's who fled the county three years earlier after filing for bankruptcy and divorcing his wife. Mack asks Jake for help learning the level of risk he would face if he returned home to reconnect with family he abandoned, including his mother and daughters. The story line ends with a whimper, presenting no genuine ethical dilemmas. Readers will struggle to feel any sense of gross injustice in "Strawberry Moon," about the last hours of a young man facing execution for a crime he aided in as a teen. Equally unmemorable is the title tale, which focuses on machinations at a law firm. Mundane prose doesn't help ("It was one of those raw, windy, dreary Monday afternoons in February when gloom settled over the land"). Grisham has done a lot better.
