Stamped from the Beginning
A Graphic History of Racist Ideas in America
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- ¥710
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- ¥710
発行者による作品情報
NATIONAL BESTSELLER • A striking graphic novel edition of the National Book Award-winning history of how racist ideas have shaped American life—from the #1 New York Times bestselling author of How to Be an Antiracist.
NOMINATED FOR THE NAACP IMAGE AWARD
Racism has persisted throughout history—but so have antiracist efforts to dismantle it. Through deep research and a gripping narrative that illuminates the lives of five key American figures, preeminent historian Ibram X. Kendi reveals how understanding and improving the world cannot happen without identifying and facing the racist forces that shape it.
In collaboration with award-winning historian and comic artist Joel Christian Gill, this stunningly illustrated graphic-novel adaptation of Dr. Kendi’s groundbreaking Stamped from the Beginning explores, with vivid clarity and dimensionality, the living history of America, and how we can learn from the past to work toward a more equitable, antiracist future.
PUBLISHERS WEEKLY
Gill (Fights) imbues this graphic novel adaptation with emotional gravity that bolsters National Book Award winner Kendi's incisive analysis. Per Kendi, America's history of racial discrimination is a "three-sided battle" between segregationists, assimilationists, and anti-racists. With a distinct cartoony style, Gill portrays the cyclical nature of this showdown through the oeuvres and activism of renowned figures like Angela Davis, W.E.B. Du Bois, William Lloyd Garrison, and Cotton Mather. The text unpacks racism's complex evolution alongside attempts at racial progress, from Puritanical perceptions of white superiority and Black enslavement to cultural advancement rhetoric ("uplift suasion" and "media suasion") starting from abolitionists who still enforced racist assimilationist ideas to Du Bois's dual support of the Talented Tenth and the Harlem Renaissance and ending in modern-day "blackfishing" and postracialism. Racist speech drips from blackened dialogue bubbles, while sly anachronisms—bewitched white children in Salem shout, "Wu-Tang is fo' the children!" and Star Wars–inspired "force ghosts" of famous thinkers cheer from the sidelines—the punchy art adds levity that propels the painful but vivid narrative. It's necessary reading. Agents: (for Kendi) Ayesha Pande, Ayesha Pande Literary; (for Gill) Anjali Singh, Ayesha Pande Literary.
