Starting Out in the Evening
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- ¥1,600
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- ¥1,600
発行者による作品情報
A New York Times Notable Book: A friendship evolves between an aging author and a young grad student in a novel by the acclaimed author of Florence Gordon.
A PEN/Faulkner Award Nominee and one of Publishers Weekly’s Best Books of the Year
Leonard Schiller is a novelist in his seventies, a second-string but respectable talent who produced only a small handful of books. Heather Wolfe is an attractive graduate student in her twenties. She read Schiller’s novels when she was growing up and they changed her life. When the ambitious Heather decides to write her master’s thesis about Schiller’s work and sets out to meet him—convinced she can bring Schiller back into the literary world’s spotlight—the unexpected consequences of their meeting alter everything in Schiller’s ordered life. What follows is a quasi-romantic friendship and intellectual engagement that investigates the meaning of art, fame, and personal connection. “Nothing less than a triumph,” Starting Out in the Evening is Brian Morton’s most widely acclaimed novel to date (The New York Times Book Review).
PUBLISHERS WEEKLY
Morton, a magazine editor whose only previous novel was The Dylanist, is a deceptively simple writer. The beginning of his new book is so apparently artless it gives no hint of the subtle, tender and moving story to come. Leonard Schiller is an elderly novelist, one of the few surviving members of the Upper West Side Jewish intellegentsia of the 1940s and '50s. He has written two books that achieved some good critical attention, two more that disappeared virtually without a trace, but he still labors on--obese, slow and subject to heart murmurs, but trying doggedly to complete a last work before his life gives out. It is a life that has been devoted so singlemindedly to his work, as a sort of cultural duty, that he is unprepared for a dizzy rush of emotion when graduate student Heather Wolfe erupts vividly into his restricted orbit. A worshipful acolyte, she wants to write her thesis on him, perhaps restore him to a place in the literary pantheon. Leonard's daughter Ariel, sweet-naturedly muddling her way through life, a perpetual loser in love, has her own agenda: a baby before it is too late--but with whom? The three interrelate, eventually with Ariel's old flame Casey, too, in many surprising and often touching ways. Their stories are illuminated always with the gentle grace of Morton's writing--for as the narrative builds, it turns out to be far from artless. Only a rather too easy feel-good ending, which leaves an important question unresolved, slightly mars what is otherwise an elegiac tale at once strong-minded and profoundly compassionate.
