Street
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- ¥950
発行者による作品情報
The Pacific Northwest is no stranger to serial killers, and when bodies start to pile up in Seattle and the police have no clue, it falls to the denizens of the streets of Seattle to bring this new murderer to justice. Working out of an abandoned church they call "Sanctuary," an unlikely group of five craft an unusual plan. Led by an unnamed actor with the mystical ability to assume any role he requires, these ragtag characters engage in a deadly game of "Catch the Killer."
In Street, Jack Cady transforms the tropes of the "true crime thriller" into a moving meditation on a place, its people, and what must be done to save those whom society has forgotten.
This edition of Street includes an essay entitled "Birds," which is an excerpt from a project that was never realized.
PUBLISHERS WEEKLY
World Fantasy Award-winner Cady's (The Sons of Noah and Other Stories) disappointing horror novel about street people battling a serial killer of young women in Seattle is clearly, if loosely, based on that city's real-life Green River killings. The unnamed narrator (a well-to-do former actor) and four of his companions (including a Vietnam vet and an ex-nun), who live in an abandoned church called ``The Sanctuary,'' are five of fiction's most unlikely street people. In order to track the murderer, for example, the narrator is somehow able to transform himself into any identity he chooses, including those of a 58-year-old Yankee dowager and a black jazz musician. Even if Cady is making use of the conventions of the antinovel in order to present characters that readers won't easily identify with and a ``reality'' that need only approximate the real, the narrator's many forays into deep-cover roles are a distractingly unconvincing element. The narrator's almost sing-song street-talk narration ventures into overblown didacticism at times, too. By the time the killer has a final face-off with the Sanctuary dwellers, readers will be checking their watches, not their pulses.
