Sudden Death
A Novel
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- ¥1,800
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- ¥1,800
発行者による作品情報
"Splendid" —New York Times
"Mind-bending." —Wall Street Journal
"Brilliantly original. The best new novel I've read this year." —Salman Rushdie
A daring, kaleidoscopic novel about the clash of empires and ideas, told through a tennis match in the sixteenth century between the radical Italian artist Caravaggio and the Spanish poet Francisco de Quevedo, played with a ball made from the hair of the beheaded Anne Boleyn.
The poet and the artist battle it out in Rome before a crowd that includes Galileo, a Mary Magdalene, and a generation of popes who would throw the world into flames. In England, Thomas Cromwell and Henry VIII execute Anne Boleyn, and her crafty executioner transforms her legendary locks into those most-sought-after tennis balls. Across the ocean in Mexico, the last Aztec emperors play their own games, as the conquistador Hernán Cortés and his Mayan translator and lover, La Malinche, scheme and conquer, fight and f**k, not knowing that their domestic comedy will change the course of history. In a remote Mexican colony a bishop reads Thomas More’s Utopia and thinks that it’s a manual instead of a parody. And in today’s New York City, a man searches for answers to impossible questions, for a book that is both an archive and an oracle.
Álvaro Enrigue’s mind-bending story features assassinations and executions, hallucinogenic mushrooms, bawdy criminals, carnal liaisons and papal schemes, artistic and religious revolutions, love and war. A blazingly original voice and a postmodern visionary, Enrigue tells the grand adventure of the dawn of the modern era, breaking down traditions and upending expectations, in this bold, powerful gut-punch of a novel.
Game, set, match.
“Sudden Death is the best kind of puzzle, its elements so esoteric and wildly funny that readers will race through the book, wondering how Álvaro Enrigue will be able to pull a novel out of such an astonishing ball of string. But Enrigue absolutely does; and with brilliance and clarity and emotional warmth all the more powerful for its surreptitiousness.”
—Lauren Groff, New York Times-bestselling author of Fates and Furies
"Engrossing... rich with Latin and European history." —The New Yorker
"[A] bawdy, often profane, sprawling, ambitious book that is as engaging as it is challenging.” —Vogue
PUBLISHERS WEEKLY
In his second work to be translated into English, Enrigue (Hypothermia) ingeniously uses a 16th-century game of pallacorda a forerunner to tennis between two hungover players to explore the beauties and atrocities of Renaissance Europe. In his fanciful mixing of historical fact and fiction, as well as his linguistic blend of earthiness and erudition, Enrigue can be compared to Roberto Bola o. The novel recounts a match between the Spanish poet Quevedo and the notorious painter Caravaggio, "brutal and vulnerable, fragile behind his armour of grease, grappa, and cussedness." During the novel's changeovers, so to speak, Enrigue delves into the early literature of the sport (including a medieval account in which "four demons" bat around "the soul of a French seminarist"), expounds on Caravaggio's life and art, and profiles 16th-century political figures in the Old and New Worlds. Two talismanic objects thread their way through the narrative: a tennis ball wound with hair taken from the decapitated head of Anne Boleyn, and an iridescent scapular made from the hair of the Aztec emperor Cuacht moc, executed by Hern n Cort s. Emblematic of the violence unleashed across the world during the bloody century of conquest and religious upheaval, each object passes into and out of the possession of various monarchs, nobles, or clergy before ending up with the two players exchanging strokes on a Roman court. There are some tonal infelicities two of Caravaggio's models are "truly awesome pieces of tail" and the reader can get lost in the profusion of historical figures. Nonetheless, this is an unpredictable, nonpareil novel that, like the macabre tennis ball at its center, "bounce like a thing possessed."
