Summer at Gaglow
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- ¥1,700
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- ¥1,700
発行者による作品情報
"A shrewd and absorbing novel, a near-seamless meshing of family feeling, history and imagination." -New York Times Book Review
Sarah is already in her late twenties with an acting career in London and a baby on the way when she learns from her father about Gaglow, his family's grand East German country estate that was seized before the war. With the fall of the Berlin Wall, the estate will now come back to them.
Sarah attempts to solicit from her father all he knows about Gaglow: the three lucky sisters, Bina, Martha, and Eva; their masterly governess, Fraulein Schulze; their father, Wolf Belgard, a prosperous Jewish grain dealer; their mother, Marianna, a "vulgar woman" whose children privately mocked her; and their older brother, Emanuel, wretched from the family to serve his country.
Alternating between Sarah's life and her grandmother's childhood during the First World War, Summer at Gaglow unites four generations of an extraordinary family across the vast reaches of silence, place, loss, and time.
PUBLISHERS WEEKLY
Separated by chronology, history and geography, Eva Belgard and her granddaughter, Sarah Linder, exist vividly in the parallel plots of Freud's third novel, a bestseller in England. Eva is 11 in 1914, a German-Jewish girl who comes of age during WWI; Sarah is British, an unmarried mother of our day whose sole links to her grandmother are curiosity and physical resemblance. Sarah's contemporary trials--her back-and-forth with her baby's father, her sittings for her artist father and her quest to learn family history--are interesting but not as compelling as the hypnotic internal conflicts that have damaged the Belgard family even more than war and anti-Semitism. Alternating chapters feature flashbacks to Eva and her two older sisters, who have been convinced by flamboyant governess Fraulein Schulze of their mother Marianna's "evils of frivolity." "Schu Schu's" divisive influence in the family reaches even farther than it seems at first; the unearthing of her role is the point on which the story turns. Most fascinating, though, is the portrayal of a pre-Holocaust Jewish family of the upper class. When Sarah imagines Marianna begging the Nazis not to seize the Belgard estate, Gaglow, because her son Emanuel "gave up his strength for the Fatherland," we are reminded of how successfully Freud (Hideous Kinky) has drawn the opening and closing of the 20th century around the ugly historic chasm in the middle. FYI: Freud is the daughter of Lucien and the great-granddaughter of Sigmund Freud.
