Surfacing
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- ¥710
発行者による作品情報
“[Kathleen Jamie’s] essays guide you softly along coastlines of varying continents, exploring caves, and pondering ice ages until the narrator stumbles over — not a rock on the trail, but mortality, maybe the earth’s, maybe our own, pointing to new paths forward through the forest.” —Delia Owens, author of Where the Crawdads Sing, “By the Book” in The New York Times Book Review.
An immersive exploration of time and place in a shrinking world, from the award-winning author of Sightlines.
In this remarkable blend of memoir, cultural history, and travelogue, poet and author Kathleen Jamie touches points on a timeline spanning millennia, and considers what surfaces and what reconnects us to our past. From the thawing tundra linking a Yup'ik village in Alaska to its hunter-gatherer past to the shifting sand dunes revealing the impressiely preserved homes of neolithic farmers in Scotland, Jamie explores how the changing natural world can alter our sense of time. Most movingly, she considers, as her father dies and her children leave home, the surfacing of an older, less tethered sense of herself. In precise, luminous prose, Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.
PUBLISHERS WEEKLY
In a lyrical, beautifully rendered collection of essays, poet Jamie (Sightlines) meditates on the natural world, lost cultures, and the passage of time. The book's title relates most directly to its two longest (and most philosophically engaging) pieces, both about archaeological digs. For "In Quinhagak," Jamie travels to a small Alaskan village to help with collecting artifacts from the period before the arrival of Europeans. Seeing how "the past can spill out of the earth, become the present," she immerses herself in the way of life of the local Yup'ik, who are deeply knowledgeable about their natural surroundings and acutely present in the moment. In "Links of Noltland," she visits the Scottish town of Pierowall, where archaeologists are uncovering Neolithic and Bronze Age dwellings, producing information about "ordinary people's ordinary lives" from millennia ago. Yet, Jamie insists, "those people's days were as long and vital as ours." Later, in "The Wind Horse," Jamie recalls traveling to Tibet in 1989 and hearing fragmentary reports of the Beijing student protests, distressing information that she juxtaposes against the tranquility of a Buddhist monastery. Jamie's observations about time and the interconnectedness of human lives, past and present, are insightful, and her language elegant. The result is a stirring collection for poetry and prose readers alike. George Lucas, Inkwell Management.
