Tahn
A Novel
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- ¥450
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- ¥450
発行者による作品情報
In a dark, medieval land, good and evil battle it out. Trapped between his master's evil commands and his persistent conscience that tells him to do otherwise, Tahn Dorn finds himself in a twisting plot that threatens not only his life but also that of the lovely Netta. After kidnapping Netta from the comfort of her home and burning her castle to the ground, Tahn realizes he can't turn her over to Samis, his evil master, as was originally intended. But as Tahn launches a plan to outwit Samis, he realizes he must also face the evils within himself.
Here, compelling characters deal with the real-life struggles of redemption and forgiveness. It's good versus evil in a way you've never experienced before.
A note from the author:
"I knew as I was writing Tahn that the story could not end until certain choices were made. Love or self-guarded preservation? Forgiveness or bitter hate? It is my hope that readers will think about such choices in their own lives. I hope they remember Tahn and see past the surface of the next person they meet. I hope they see a potential hero in every lost and wayward child and pray accordingly. Then Tahn and I will have done our jobs."
PUBLISHERS WEEKLY
Kelly pens a novel with a medieval setting, writing under her initials to distinguish it from her historical Depression-era inspirational fiction under the name Leisha Kelly (Julia's Hope; Katie's Dream; Emma's Gift). The lovely Lady Netta Trilett is kidnapped by a cold-blooded killer, Tahn Dorn, who slew her husband several years before. This time, however, Dorn is acting out of a somewhat unexplained newfound desire to turn over a new leaf. After Dorn stashes Netta in a cave for her safety, the evil Samis, Dorn's former leader, burns her family's home. Dorn rounds up eight children Samis had tutored in villainy and spirits them away to the cave, where he and Netta care for them and Netta wrestles with forgiving Dorn and understanding her newfound feelings for him. Kelly develops her story well in the first half, and her characters, especially the children, are sweet and vulnerable. Some light sexual tension and violence mark Kelly's change of genre. The pace slows in the second half, and readers may struggle with the idea of a woman romantically interested in her husband's killer, no matter how much Christians believe in forgiveness. Yet Kelly's tender touch will endear her to those CBA market readers who like their historicals heavily salted with salvation themes.
