The 1619 Project: Born on the Water
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- ¥1,500
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- ¥1,500
発行者による作品情報
The 1619 Project’s lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renée Watson.
A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders.
But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.
And the people planted dreams and hope,
willed themselves to keep
living, living.
And the people learned new words
for love
for friend
for family
for joy
for grow
for home.
With powerful verse and striking illustrations by Nikkolas Smith, Born on the Water provides a pathway for readers of all ages to reflect on the origins of American identity.
PUBLISHERS WEEKLY
When a Black child, this story's narrator, feels shame surrounding a family tree assignment ("I can only count back three generations, here, in this country"), their parents and grandparents offer what an author's note calls "a proud origin story." In meticulous, forthright poems by Newbery Honoree Watson and 1619 Project founder Hannah-Jones, the family reaches back to the Kingdom of Ndongo, where their ancestors "had a home, a place, a land,/ a beginning." Subsequent spreads describe the child's West Central African forbears, who spoke Kimbundu ("had their own words/ for love/ for friend/ for family"), were good with their hands and minds, excelled at math and science, "and they danced." When the lines recount how, in 1619, those ancestors were shackled and ferried across the Atlantic to Virginia on the White Lion, the authors clearly but non-graphically confront the horror of chattel slavery, emphasizing the resilience of the enslaved people who survived this impossible journey. Alternating between realistic and surreal images, Smith (World Cup Women) works in a saturated palette to create emotionally evocative scenes: dark, mostly monochrome tableaus convey tragedy or violence; brightly lit, multicolor palettes illustrate scenes of peace and joy. While detailing the specifics of an often-obscured history and its effects, this volume powerfully emphasizes that Black history is not merely a story of slavery and suffering but one of perseverance and hope. Ages 7–10.
