The Amalgamation Polka
-
- ¥1,800
-
- ¥1,800
発行者による作品情報
A Civil War novel unlike any other: the story of a young man's journey through a nation blasted apart.
Born in 1844, Liberty Fish is the descendant of both Carolina slaveholders and New York abolitionists. In hopes of reconciling the warring strands of his heritage, he escapes his home in the North -- first into the cauldron of the Civil War, and then into the even more disturbing bedlam that follows.
The Amalgamation Polka showcases not only the brutality of this tragic passage in American history, but also its surprising compassion and hope. In language both true to its time and completely modern, it is revelatory and mesmerizing, a novel that "will bring a smile to your own lips as it sets your brain on fire." (Jason McBride, the Village Voice).
PUBLISHERS WEEKLY
The author of the Vietnam classic Meditation in Green (1983) here channels Liberty Fish, a fictional member of a real, still-prominent upstate New York family, for a gruesome Civil War picaresque la Candide. Roxana Maury, the daughter of Carolinian slaveholders, turns against the "peculiar institution," disowns her parents, Asa and Ida and marries northerner Thatcher Fish, who shares her abolitionism. Their son Liberty is born in 1844, and his liberal education is enhanced by his parents, and the oddball metaphysicians and charlatans with whom they surround themselves. When war breaks out, Liberty joins up, participates in a series of horrific battles, deserts and travels South to his mother's ancestral home, Redemption Hall. There, he finds his grandfather, Asa, practicing ghastly homicidal experiments with his slaves. As Union forces approach, Asa abandons his invalid wife and more or less kidnaps Liberty, and the two ship aboard a blockade runner, bound for Nassau. Liberty functions more as Gump than protagonist, and ultimately learns Candide-like lessons through similarly unlikely adventures. Roxana's background and the (unconnected) doings of a curious Uncle Potter in Kansas occupy a large portion of the story; the grotesque piles on top of the macabre in depicting slavery; highly humorous banter flows throughout. This book, rich in an appropriately fatuous, overblown period style, is the morbidly comic counterpoint to Doctorow's The March.
