The Apple Trees at Olema
New and Selected Poems
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- ¥1,700
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- ¥1,700
発行者による作品情報
“No practicing poet has more talent than Robert Hass.”
—Atlantic Monthly
The National Book Award-winning author of Time and Materials, Robert Hass is one of the most revered of all living poets. With The Apple Trees at Olema, the former Poet Laureate and winner of the 2008 Pulitzer Prize offers twenty new and selected poems grounded in the beauty of the physical world. As with all of the collections of this great artist’s work, published far too infrequently, The Apple Trees at Olema is a cause for celebration.
This collection gathers the luminous, earthbound poetry that has defined his career:
Pulitzer Prize-Winning Vision: Experience the work of a former U.S. Poet Laureate with twenty new poems alongside beloved selections from a celebrated, award-winning career.Poems of the Natural World: Journey through the landscapes of the California coast, from the apple trees at Olema to the marshes of Palo Alto, in verse grounded in the stunning beauty of the physical world.Meditations on Love and Memory: Explore the quiet, intimate moments of life through deeply personal and reflective poems about relationships, loss, and the passage of time.Lyrical and Masterful Language: Discover the intelligent, accessible, and musical voice that has made Robert Hass one of the most essential and revered poets of his generation.
PUBLISHERS WEEKLY
Hass's first retrospective allows us to trace the development of the narrative voice he began cultivating most powerfully with 1979's Praise. Who can forget their first reading of Meditation at Lagunitas, in which Hass tells us we call it longing because desire is full/ of endless distances ? The new poems show Hass at the height of his narrative powers, as in Some of David's Story, where the dissolution of a loving relationship is told to us in brief anecdotes by David himself. Recent poems from Time and Materials ask direct, bird's-eye view questions: What is to be done with our species? Because/ We know we're going to die, to be submitted to that tingling of atoms once again. Hass's work derives its strength from how it challenges both breath and line. Few are the poems in which Hass doesn't push his breath, and ours, almost to the point of breaking. He tries to get every word he can into each line, every detail he can into each poem, as though, if these feats are possible, then it's also possible to save some part of the world from dissolution.
