The Blazing World
A Novel
-
- ¥1,800
発行者による作品情報
“A spectacularly good read...feminism in the tradition of Simone de Beauvoir’s The Second Sex or Virginia Woolf’s A Room of One’s Own: richly complex, densely psychological, dazzlingly nuanced.” —Slate
From the internationally bestselling author of The Summer Without Men comes “an electrifying work” (The Washington Post) about the lengths one woman will go for artistic recognition amid the deceptive powers of prejudice, money, fame, and desire.
After years of having her work ignored or dismissed by critics, artist Harriet Burden decides to conduct an experiment: she presents her own art behind three male masks, concealing her female identity.
Yet when the shows succeed and Burden steps forward for her triumphant reveal, she is betrayed by the third man, Rune, who claims the work as his own. After critics side with him, Burden and Rune suddenly find themselves in a charged and dangerous game—one that ends in his bizarre death.
An intricately conceived, diabolical puzzle presented as a collection of texts, including Harriet’s journals assembled after her death, this “glorious mashup of storytelling and scholarship” (San Francisco Chronicle) unfolds from multiple perspectives as Harriet’s critics, fans, family, and others offer their own conflicting opinions of where the truth lies.
PUBLISHERS WEEKLY
Art isn't easy, and according to Hustvedt (What I Loved), the art market can be especially rough on women who are over 40, overweight, and overtly intellectual, which is why the novel's protagonist, Harriet "Harry" Burden, a frustrated artist and art dealer's widow, exhibits her artwork using male stand-ins in a performance art experiment that goes terribly awry. Suffering from deep depression after her husband's death, followed by extreme elation, Harry relocates to Brooklyn, where she produces modern masterpieces dotted with clues to her identity, then shows them under a male collaborator's name. Her first mask, a minor artist, chafes at the role, but the second, biracial gay Phineas Q. Eldridge, proves more amenable, while the third the meanest and most dangerous enjoys the limelight so much he denies Harry's claims to authorship. Larger-than-life Harry reads vociferously, loves fervently, and overflows with intellectual and creative energy. Structurally, her Pygmalion-turned-Frankenstein tale is recounted through a variety of narrators, including an art critic; a New Age art groupie; Harry's children, friends, and detractors; and Harry herself. Hustvedt dissects the art world with ironic insight. Footnotes and academic references, a large cast of characters, a wide range of narrative voices, intellectual digressions, and occasional one-liners enrich this novel of the New York art scene. This is a funny, sad, thought-provoking, and touching portrait of a woman who is blazing with postfeminist fury and propelled by artistic audacity.
